Fujifilm's FinePix S200EXR superzoom offers the features, controls and handling of a digital SLR but at a much lower price. It includes Fujifilm's ground-breaking EXR sensor, which offers a choice between high-resolution, high-dynamic-range and high-ISO modes. When you factor in the 14.3x optical zoom and a price tag of around £320, the 12-megapixel S200EXR starts to look like a very good deal.
Match for dSLRs
The S200EXR certainly looks and feels like it's giving you your money's worth. Fujifilm says this camera offers a lighter and more compact alternative to a dSLR, but it'd be interesting to know what the company's comparing it to, because, even by dSLR standards, this camera's a whopper. It weighs no less than 820g, and it doesn't look any smaller than a standard dSLR with a superzoom lens fitted.
But so what? The S200EXR gives you a good, solid grip and big, firm, meaty controls. You even get a mechanically operated zoom, rather than the usual sluggish, motor-driven lenses in other superzooms. From the directional controller on the back to the perfectly weighted control dial on the top, this camera's controls are excellent.
The EXR sensor does what Fujifilm says it does, too. Admittedly, you have to take a resolution drop from 12 to 6 megapixels to use the high-dynamic-range and high-ISO modes, but it's worth it for the increase in quality.
The 'pro focus' and 'pro low light' modes are two more imaging innovations. Both shoot multiple shots and then combine them in-camera to produce the perfect picture. The pro-focus mode creates the shallow depth of field effect associated with wide lens apertures (it's not usually possible with a small sensor like this one), while the pro-low-light mode combines a sequence of shots taken in low light to produce a single high-quality image. Neither is foolproof but, when they work, the results are very good.
Finally, just to confirm the S200EXR's dSLR-matching status, it can shoot raw files as well as JPEGs, which will appeal to keen photographers anxious to squeeze every last ounce of quality out of their images on the computer.