Fujifilm FinePix F770EXR review:

Fujifilm FinePix F770EXR

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4 stars

CNET Editors' Rating

The Good Image clarity; Video output; build quality; Features and controls; Low-light performance.

The Bad Limited aperture; Noisy zoom when shooting movies.

The Bottom Line The Fujifilm FinePix F770EXR is a well-built general-purpose camera that offers a decent range of manual options for photographers who want to take some control. Specs are high enough to last you for years without it feeling outdated. Fairly priced and with built-in GPS, it's ideal for travel and holiday photography.

Visit manufacturer site for details.

8.3 Overall

Its high resolution, 20x zoom and built-in GPS may be the headline features, but where the Fujifilm FinePix F770EXR really excels is the quality of its images.

This compact camera is the latest in Fujifilm's line-up to use the company's EXR sensor. With this, the pixels are rotated by 45 degrees to make better use of the available light, so you get better dynamic range in your shots.

You can pick up the Fujifilm FinePix F770EXR now for around £240.

Specs and features

The finish is simply lovely, with a swooping chassis to house the GPS receiver, a chunky hand-grip and rubberised casing, which makes it feel good and helps you keep a firm hold.

Fujifilm FinePix F770EXR back
The menu system greys out options that aren't accessible in particular settings, but you can still see them so you'll become familiar with them.

It's not just a pretty face. Under the hood, the specs are impressive. Sensitivity extends to ISO 12,800, so long as you're happy to see your images trimmed to accommodate it. Keep it at ISO 3,200 or below though, and you can make use of every photosite on the 16-megapixel chip to produce 4,608x3,456-pixel shots.

In front of this is a 20x zoom, equivalent to 25-500mm on a regular 35mm camera, with a maximum aperture of between f/3.5 and f/5.3, depending on magnification. This full telephoto metric is particularly impressive when you consider the length of the lens.

Fujifilm FinePix F770EXR test photo
The 20x optical zoom is impressive. As demonstrated above, it equates to 25-500mm on a regular 35mm camera.

Minimum focusing distance at wide angle is a slightly podgy 45cm, and at telephoto it tops out at 2.5m. Switch to macro mode and you can come in as close as 5cm. If you prefer to stand back and zoom while in this mode, to avoid casting shadows on your subject -- a risk you run if shooting outdoors in direct sunlight or indoors under studio lighting -- you can work from as close as 1.3m in full telephoto.

It uses the same excellent menus that Fujifilm has rolled out across the rest of its range. Any options that aren't applicable to your current shooting mode are greyed out but left in place so you'll get used to seeing a familiar line-up. The modes themselves are selected using an angled wheel on the top of the body and include the excellent EXR mode. It makes use of the sensor's unique pixel arrangement to let you prioritise high sensitivity with low noise, high dynamic range or maintain the highest possible resolution for your particular shooting conditions.

Changes to shutter speed and aperture are made using a fast thumbwheel on the back of the body. But while you can set the shutter at a range of common speeds between one second and 1/2,000 second, you can only select from three aperture settings at any zoom level. At wide angle, these are f/3.5, f/7.1 and f/10. At maximum telephoto they're f/5.3, f/11 and f/16, with the position of the lens in-between affecting the aperture in the same way as it would on any other camera.

Fujifilm FinePix F770EXR front
Because it features GPS and geotagging, you can keep track of where you took shots and view them on a map.

Stills tests

I performed my tests using a mixture of aperture priority, fully automatic and the EXR modes. I also used the panorama scene mode, with all images saved as default JPEGs, without any processing applied.

The panorama mode makes an excellent job of stitching together up to 360-degree sweeps of your surroundings. The results couldn't be faulted when shooting a conventional side-to-side panorama with the camera in landscape orientation. However, when switching to vertical panorama mode to capture a taller sweep of the scenery, using the camera in portrait orientation, it occasionally introduced vertical dark and light stripes under overcast skies. These appeared to be points at which the camera had stitched together thin slices of the scene.

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