Exclusive hands-on with the Fatman iTube 452: Valve chubster
We've got our hands and speakers on the new Fatman iTube 452 -- a valve-based amplifier geared towards the lossless-loving iPod users. Ever wondered what that iPod classic can really sound like?
In the audiophile world, iPods aren't exactly highly regarded. Not just iPods, but all portable music players. The very name 'MP3 player' is, to the audio elitist, synonymous with poor audio quality, lossy encoding and discarded fidelity.
It's sad that, for the most part, they're right -- for those of us that want more, however, there are solutions. Fatman's iTube 452 is one such product, and we've been given one to play with. It's a £1,500 valve amp, with no less than nine heat-pumping valves to drive audio. Valve amps are something of a retro choice these days, but they do offer a different type of sound, in the same way that vinyl sounds very different to CD.
It's a warmer, more live-sounding audio quality, and the iTube 452 delivers it with amazing power. It's an unimaginably weighty piece of kit as well, beautifully built like a late-19th century steam train. It's an epic amp to unbox and even more spectacular to hear.
What's weird is that the 452 comes with a separate iPod dock -- the ValveDock -- that doesn't reflect the main system's exceptional design and build. It feels lightweight, almost like it was an afterthought as the 452 was going to market.
It offers a very different sound quality as well. With theplugged directly into the iTube 452 and a pair of Denon CX3 speakers, sound quality is just phenomenal, with so much warmth and life. But through the ValveDock at the same volume, sound becomes slightly muddy, with less definition and a less preferable sound to our ears.
Safe to say this doesn't feel like a problem. If we had the iTube 452 at home, we'd keep the iPod docked in the ValveDock for power, but output sound into one of the many line-level inputs around the back.
And if you do, you'll really feel the full power of this expensive and mesmerising amp. Fans of electronic, dance and pop music may prefer to stick to a modern transistor-based amp, as these offer a harsher, more clean-cut sound that better suits the genres.
Far more suited to the 452 is rock, acoustic, folk, country, classical and particularly vocal-driven music; anything that could be played live without amps, mixing desks, microphones or electricity.
It's on sale now for around £1,500 and we've got an epic collection of photos for you over the next few pages. You can of course expect a full review very soon. Viva la valves! -Nate Lanxon
Update: Read our full
Here's the Fatman side-on. You can't quite tell in this photo, but the back end is massively heavier than the front. A slightly less catchy but more appropriate name would've been 'Thinman, Fatarse'.
It turns out the Fatman has a huge knob. Two, in fact. Rejoice!
In addition to the huge knobs up front, it has loads of holes around the back: line-level inputs, subwoofer outputs, and just hiding away in the darkness there you'll see auxiliary-in.
Pictured here, gold-plated speaker terminals. None of that plastic nonsense, just sturdy, heavy-duty outputs for thick speaker wire.
Here's one with the camera a little closer. There's a great deal of room for thick wire here.
This retro VU meter gives you a visual representation of audio signal level at any given moment.
Finally, here's the ValveDock in all its shiny silver glory.