A new study taps data supplied by everyday phone users just like you. The winner might not be who you were expecting.
Images shot with Sony's first pro full-frame E-mount lenses, the 85mm f1.4 and 24-70mm f2.8.
The company's ambitious pro lens is sharp and steady. Tested with the OM-D E-M1.
The D7200's photos are a bit better than the D7100's, with slightly less noise.
The G5 X does its best work in the light.
The company's midrange interchangeable-lens model produces very nice photos with excellent color.
While its photos and video are decent in good light, the camera doesn't shine in the shadows.
A selection of shots taken with the Edge 50 Optic in the Composer Pro II.
The SL delivers excellent photo quality, but you may want to change to default JPEG settings which crank up the contrast a little too high and frequently turn blue skies cyan.
Great color and an excellent low-light noise profile, plus sharp photos with right lenses, make the A7R II a top full-frame contender.