One more reason to close your curtains, the 16-megapixel FZ70 features an f2.8-5.9 20-1200mm lens and rock-solid image stabilization to back it up.
If you're searching for a long-zoom camera that falls in between a point-and-shoot and digital SLR experience, look no further than the Panasonic Lumix DMC-FZ200.
The Panasonic Lumix DMC-GF3 offers the type of performance and photo quality in a relatively small design many point-and-shoot graduates will like.
The Panasonic Lumix DMC-FZ47 is a very good megazoom for the money, but if you want more control over results--especially in low light--you'll want to step up to the Lumix FZ150.
If you're willing to pay a premium to be on the cutting edge of digital photography and video, and as long as you don't shoot sports or in dark venues, then you'll likely love the Panasonic Lumix DMC-GH1. But if you're simply attracted by the not-to-be-underestimated flexibility of interchangeable lenses with autofocus and depth-of-field control for video, wait for the price to fall a few hundred bucks.
The Panasonic Lumix DMC-FZ40 is a solid megazoom, but its low-light photos need extra attention.
As long as you're willing to work with raw image files, the Panasonic Lumix DMC-FZ100 is one of the best full-size megazooms you can get.
This well-made advanced-shooter's camera features several unique and very efficient analog controls, but it may have trouble luring buyers away from cheaper digital SLR systems.
Image stabilization, a 6X zoom lens, and solid image quality make the Panasonic Lumix DMC-LZ2K a versatile snapshot camera.
A better-than-average megazoom choice, the Panasonic Lumix DMC-FZ35 delivers standout video capabilities and an excellent manual feature set. Still, it suffers from a lot of the same drawbacks as its competitors, including weak photo quality.