For the first-timer or family photographer, the Pentax K-S2 is a nice dSLR, but it drops the ball for video and you should pass on the new 18-50mm kit lens.
New two-in-one hybrids offer 13-inch screens and slim designs for under $600 or more than $1,000.
It delivers great images and is still fun to shoot with, but the Fujifilm X-E2 isn't a no-brainer upgrade over the X-E1 and other cameras outfeature it.
By attempting to shoehorn an affordable 13-inch laptop-tablet into a crowded market, the Toshiba Satellite Click ends up as a compromised, underperforming mess.
While the Nikon 1 J2 has only minor updates from its little brother the J1, the Nikon 1 V2 really is version 2 of this interchangeable-lens camera.
Though we still really like Panasonic's GF series, there are several trade-offs to take into account before you buy the Panasonic Lumix DMC-GF2. Its raw-format images look extremely good, but JPEG shooters looking for best-possible photo quality may get frustrated by image artifacts. And while lots of photographers will appreciate its relatively compact but functional design and zippy performance--though still not for action shooting--there's nothing special about its feature set, including underpowered video capture.
It's speedy, feature-packed, and an excellent ILC for shooting video, but to consistently get really good photos out of the Panasonic Lumix DMC-GH2 requires shooting raw.
A great follow-up to the T1i, if you want the best photo and video quality in a dSLR for less than $1,000, the Canon EOS Rebel T2i is hard to beat.
For some, an elegant shooter's design and high-quality low-ISO photos may more than adequately compensate for the Olympus E-P2's sluggish performance.
This medium-resolution Fujifilm stands out for its unmatched handling of highlights and excellent overall image quality, but it's not meant for rapid-fire shooting of sports and action.