Here's where you find the best of the best, our top digital cameras across the board.
Versatile, sturdy, and built with high-quality optics, the Sigma APO 70-200mm F2.8 EX DG OS HSM offers a good value, although it's not exactly cheap.
You get you what you pay for with the Canon EF 200-400mm f/4L IS USM Extender 1.4X: superlative performance and flexibility.
As full-frame SLRs spread, high-end but not top-end lenses become more important. Nikon just announced a promising new telephoto -- and it's got next-gen vibration reduction, too.
The Canon EF 70-200mm f4 IS USM L lens is a professional grade 70-200mm lens without the size and heft, as well as price, as found in f2.8 versions.
The 55-250mm f3.5-5.6 STM fills a big hole for the dual-lens kit devotees of the company's latest Rebel models.
The new dSLR doesn't break any new ground, but has just enough controls to get you started.
Canon today announced the EF 70-200mm f2.8L IS II USM lens, a successor to its EF 70-200mm f2.8L IS USM lens that was launched in 2008.
For Photokina, the Japanese lensmaker announces it's brought image stabilization to two lenses geared for full-frame SLRs. They'll work on Canon, Sony, and Nikon cameras.
While the Canon PowerShot G16 is better than the G15 and remains a nice enthusiast compact, its low-light photo quality disappoints for the money.
While it provides one of the best touch-screen experiences in its class and the compact body is quite comfortable to shoot with, the Canon EOS M's disappointing performance and blah feature set make it less attractive than competitors.