As full-frame SLRs spread, high-end but not top-end lenses become more important. Nikon just announced a promising new telephoto -- and it's got next-gen vibration reduction, too.
For Photokina, the Japanese lensmaker announces it's brought image stabilization to two lenses geared for full-frame SLRs. They'll work on Canon, Sony, and Nikon cameras.
Versatile, sturdy, and built with high-quality optics, the Sigma APO 70-200mm F2.8 EX DG OS HSM offers a good value, although it's not exactly cheap.
Canon today announced the EF 70-200mm f2.8L IS II USM lens, a successor to its EF 70-200mm f2.8L IS USM lens that was launched in 2008.
The Canon EF 70-200mm f4 IS USM L lens is a professional grade 70-200mm lens without the size and heft, as well as price, as found in f2.8 versions.
Trying to coax consumers toward a world beyond smartphones, camera makers at the CP+ trade show reveal plans for dramatically better premium products.
Finally, a pro staple 70-200mm f2.8 and a new weatherproof telephoto zoom.
"Love Is Now" is an Australian feature film shot entirely on dSLRs. The director of photography describes the process and offers tips for would-be filmmakers.
Slowly, slowly Fujifilm rolls out lenses for its X-Pro1 prosumer interchangeable-lens camera.
The company's mirrorless model is targeted at--and priced for--primarily the growing number of wedding photographers seeking sources of differentiation.