As full-frame SLRs spread, high-end but not top-end lenses become more important. Nikon just announced a promising new telephoto -- and it's got next-gen vibration reduction, too.
For Photokina, the Japanese lensmaker announces it's brought image stabilization to two lenses geared for full-frame SLRs. They'll work on Canon, Sony, and Nikon cameras.
Versatile, sturdy, and built with high-quality optics, the Sigma APO 70-200mm F2.8 EX DG OS HSM offers a good value, although it's not exactly cheap.
Canon today announced the EF 70-200mm f2.8L IS II USM lens, a successor to its EF 70-200mm f2.8L IS USM lens that was launched in 2008.
The Canon EF 70-200mm f4 IS USM L lens is a professional grade 70-200mm lens without the size and heft, as well as price, as found in f2.8 versions.
"Love Is Now" is an Australian feature film shot entirely on dSLRs. The director of photography describes the process and offers tips for would-be filmmakers.
Slowly, slowly Fujifilm rolls out lenses for its X-Pro1 prosumer interchangeable-lens camera.
The company's mirrorless model is targeted at--and priced for--primarily the growing number of wedding photographers seeking sources of differentiation.
The silicone bracelet resembles a portion of a lens barrel, with information such as focal length and an "AF/MF" switch showing great attention to detail.
Improving on two already popular Nikon lenses, Nikon today announced the new AF-S DX Nikkor 18-200mm f3.5-5.6 ED VR II and the new AF-S Nikkor 70-200mm f2.8 G ED VR II.