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Google I/O 2014

All the news from the annual Google I/O event, including the latest on Android.


Photos: Hands-on with the 3MOS Panasonic HDC-HS100

The Panasonic HDC-HS100 is a camcorder packing a manual focus ring, viewfinder and three CMOS sensors -- so the boffins have only gone and called it a 3MOS camera. Clever, eh?

By September 30, 2008


Panasonic's 3MOS HD camcorders: HDC-SD100 and HDC-HS100

We got our hands on the new high-definition Panasonic HDC-SD100 and HDC-HS100 camcorders with their 3MOS system and handy manual rings

By July 21, 2008


Panasonic debuts '3MOS' AVCHD camcorders

The company's new HDC-SD100 and HDC-HS100 are the first AVCHD models to use a trio of MOS chips.

By June 18, 2008


Panasonic camcorders concentrate on quality

This go round, Panasonic has slimmed down its lineup and rolled out new sensors and image processing to (hopefully) deliver improved video quality.

By January 9, 2012


Panasonic wants everyone to capture 3D video

The company announces a 3D camcorder that looks like it might be for professionals on a budget.

By August 31, 2011


Panasonic shows next-gen 3D TVs, ups its streaming game

At its CES press conference, Panasonic announced that it had renamed its Viera Cast IPTV service Viera Connect and unveiled new 3D TVs, as wells as digital imaging and home theater products.

By January 5, 2011


Panasonic HS700, TM700 and SD700: HD camcorders come in threes

The Panasonic HS700, TM700 and SD700 are three new high-definition camcorders for 2010. Is it a case of good things coming in threes?

By February 10, 2010


Panasonic's latest pro AVCHD camcorder

Panasonic's 3MOS sensor system and a smaller, lighter design highlight its latest pro AVCHD model.

By April 20, 2009


Panasonic bestows new HD camcorders with manual focus ring

Panasonic has announced six new high-definition camcorders at this year's CES, some featuring its 3MOS sensor set-up and a manual focus ring.

By January 8, 2009


Panasonic's Spring camcorders: Three chips and long lenses

Panasonic brings us the sublime at one end and the ridiculous at the other.

By January 12, 2009