This constant flipping from one type of gameplay to another is a departure from the monotony that crept into War for Cybertron. At times, the game focuses so much on mixing things up that it loses focus: developer High Moon never deepens or strengthens any single mechanic before it moves to the next. But in the final levels, something miraculous happens: Fall of Cybertron weaves these disparate threads together into an exciting sequence that puts you in control of one bot after another so quickly that all you can do is ride this overcharged roller coaster and relish in its hyperactivity and visual excess. A boss fight featuring the agile Jazz might again be the highlight here, as it is one of the few times in which Fall of Cybertron puts a clever spin on mechanics it previously explored.
Amid all of this is a story that's as unfocused as its gameplay, which might be a given considering how often you change perspectives. The character hopping makes it hard to get invested in any one Transformer, each bot more or less living up to the simple characterization we've come to expect. The ongoing struggle centered on Cybertron's diminishing Energon supplies is a simple excuse to trigger Optimus Prime's platitudes and Megatron's humorless megalomania. The memorable developments involve a Decepticon power struggle and an unexpected Autobot ally, the rest of the storytelling mostly relying on dry battlefield commands (Shoot those big guns! Protect that door at all costs!) and cheesy banter. The few attempts to elicit an emotional response come across as laughable, though to be fair, there are enough tongue-in-cheek one-liners to suggest that developer High Moon Studios was in on the joke.
Concentrating as it does on being as much a scripted summer blockbuster as it is a game, Fall of Cybertron does not allow you to invite a buddy along for the ride; unlike in War for Cybertron, the campaign is for one person only, which is a disappointing loss. However, the cooperative Escalation mode is back, and it's an enjoyable take on the Horde mode formula so common in modern shooters. You and three buddies (or strangers) fend off 15 waves of progressively more powerful enemies, each of you in control of a single Transformer. Some maps have you playing as Autobots, and others as Decepticons, but the roles are the same. One bot has a healing beam, another can refill the team's ammo, and so forth. Among the four of you, you should be able to cope with the dangers, with a little ingenuity and battlefield control.
More intriguing is that you earn currency as you shoot up snipers and Insecticons, and then spend it in various ways--purchasing ammo, opening doors to expand the battle arena, buying new guns, and eventually buying upgrades. Pennies don't rain from heaven, however, so you must spend your funds carefully. If your teammates drop money into opening a doorway into a new area and you spend your portion on a scattergun, they might end up cursing your selfish decision, and you might wish you'd had the freedom the extra space would have offered.
Cliffjumper doesn't excel in direct encounters, but he can hold his own when necessary.
Competitive play is more predictable, at least from a structural standpoint. Team Deathmatch and a variation thereof, Capture the Flag, and Conquest are the modes available, and so you shoot the competition, perhaps while capturing control points or defending your flag. The moment-to-moment gameplay is great fun, however, in part thanks to the transformations. In the single-player campaign, there's rarely a strategic need to flip between robot and vehicular forms. On online battlefields, however, being effective means using each form to your advantage. There are four classes available, and you can take to the skies and rain down rockets, use your considerable bulk to soak up bullets on the ground, or zip around for quick, decisive strikes. It's a good mix that favors constant movement over camping.
The diversity of battlefield tactics is elevated by the customization tools available to you. As you play, you earn experience, ultimately unlocking different weapons, weapon upgrades, and cosmetic pieces. You can make yourself look like Starscream if you want, but why not concoct a Transformer of your own imagining? The more you play, the more varied the action becomes, and the more unique you look. The elaborate customization and entertaining battles should keep franchise fans interested long enough to adapt a few different classes to their own play styles.
News that Pluto was no longer considered a planet reached Cybertron surprisingly quickly.
The PC version of Transformers: Fall of Cybertron doesn't harbor an enormous online community, and its team balancing doesn't seem to work right, so you might wait longer than you'd expect in matchmaking lobbies. But when it hits its stride, it is a varied and visually stimulating ride. In leaving behind its predecessor's problems, it gained some of its own, sacrificing thrilling action in favor of noninteractive spectacle. Yet its array of offline and online battles still scratch that action-flick itch.