|Other: Includes Google Maps, Samsung TV support videos, Getty images and more|
Samsung wants you to think of its Apps platform much like a certain other Apps store from Apple. The TV version from Samsung is a far cry from the iPhone version today, but does offer more options than similar services on other brands' TVs. Since the service debuted earlier this year it has added Facebook, Google Maps and videos with product support and info on Samsung products. On the other hand the lame games are (thankfully) gone.
In addition to Apps within the main interface, there's a separate Yahoo widgets interface with 19 total add-ons available at press time. They include weather, news, sports and the like, along with meatier widgets like Amazon Video-on-Demand, Drivecast, Flickr and, yes, Facebook. The widget experience is much, much better than in the past, owing to faster load and response times. Now the widget taskbar comes up almost immediately, and navigating between widgets and within a widget itself is a breeze.
On the other hand we'd prefer to see one integrated interface, such as the one Vizio offers, for all interactive functions. For both Facebook and Twitter, for example, the TV has both an App by Samsung and a Yahoo widget. Both interfaces offer news, weather and even photo services (Picasa for Apps, Flickr for widgets). With all that content, juggling two interface options can become confusing.
Both Apps and widgets have profiles and universal sign-in features, which makes them easier to use. An option to input searches, passwords and other text with something other than the unwieldy onscreen keyboard would help a lot, however.
|Adjustable picture modes||4||Independent memories per input||Yes|
|Dejudder presets||0||Fine dejudder control||N/A|
|Aspect ratio modes -- HD||4||Aspect ratio modes -- SD||4|
|Color temperature presets||4||Fine color temperature control||10 points|
|Gamma presets||7||Color management system||Yes|
|Other: Numerous 3D controls; new 10-point color temperature system; RGB filters and built-in test patterns|
Samsung has officially retaken the picture settings crown from LG this year, at least on higher-end models like the PNC7000. Highlights for tweakers include a new 10-point system--it works better than what we saw on LG's PK750 plasma, but still has a couple of issues--in addition to internal test patterns and red, green, and blue color filters, all to help would-be calibrators. For some reason Samsung has also changed the name of one of its picture modes from Natural to Relax, but as usual only the Movie mode allows the full panoply of adjustments.
Samsung offers a smattering of settings for both native 3D content and 2D-to-3D conversion. With the former you can fool around with "3D viewpoint," said to adjust perspective, while the latter provides a "depth" setting that gives a similar adjustment option. On the other hand the C7000 lacks the 3D Optimize option found on the UNC8000 LCD. It's also worth noting that engaging 3D changes to a separate set of picture settings, and removes some of the options available in 2D mode (like Eco settings, aspect ratio adjustments, and more).
|Power-saver mode||Yes||Ambient light sensor||Yes|
|Picture-in-picture||Yes||Onscreen user manual||No|
|Other: Basic onscreen HD connection guide; onscreen troubleshooting; sound-only option; three modes to prevent/remove burn-in|
Not much goes missing here. If you're worried about burn-in (we aren't), Samsung includes a pixel orbiter that slowly moved the image around the screen, as well as a scrolling bar to erase signs of image retention should it occur. Unfortunately the screen saver, labeled "auto protection," didn't seem to work at all when we left an image paused for extended periods, so you shouldn't depend on it.
We'd like to see a real onscreen manual as opposed to the simplistic "connection guide." The troubleshooting section is nice, but is mostly geared toward easing the job of customer service reps tasked with diagnosing owner problems over the phone. We like the option to turn off the screen manually, leaving just the sound, which cuts power use down to 30.7 watts.
|HDMI inputs||4||Component video inputs||1|
|Composite video input(s)||1||S-video input(s)||0|
|VGA-style PC input(s)||1||RF input(s)||1|
|AV output(s)||1 audio||Digital audio output||1 optical|
|USB port||2||Ethernet (LAN) port||Yes|
Since it's limited by cabinet depth, the jack pack of the PNC7000 is oriented much like that of Samsung's 2009 LED models, such as the UNB7000 series. A horizontal and a vertical row of jacks are arranged so the cables run parallel to the panel, instead of plugging in perpendicular. The selection of analog inputs is sparse almost to a fault, with just one composite and one component port, which share a single audio input. Plenty of HDMI inputs are available however, and the second USB port is nice if you use the optional Wi-Fi dongle for one.
3D picture quality: The 3D image produced by the Samsung PNC7000 plasma handily beat that of the LED-based Samsung UNC8000 and Sony XBR-HX909 LCDs in one crucial area: reduction of crosstalk. This artifact looks like a ghostly double around certain objects, especially against dark backgrounds, and is our least favorite aspect of watching 3D. The PNC7000 evinced similar amounts of crosstalk as Panasonic TC-PVT20/25 plasma.
We compared the four TVs side-by-side in our lab using a method similar to our standard 2D comparison (see below), aside from the necessity to switch glasses between the different brands; the inability to watch more than two Blu-ray sources simultaneously (we took advantage of the Panasonic DMP-BDT350's dual HDMI ports); and the fact that we didn't calibrate the TVs--they were left in their default Movie (or Cinema) picture settings.
In the "Monsters vs. Aliens" Blu-ray we appreciated the sense of depth and detail in the PNC7000's image; the asteroids and snow from the first few minutes of the film literally popped off the screen, and the atmospheres of the planets and the bun of the cheeseburger on a scientist's desk seemed equally realistic and detailed. The effect was impressive and immersive for the most part, although overt pop-outs like the scientist's paddle ball were an exception.
We did see that ghostly double image around the edge of the red planet, however, as well as in the laptop screen of the scientist, and around the 17 minute mark where the General is hovering in his jetpack against a gray background. But it was no worse than we saw on the Panasonic, and not as prevalent as we saw on the LED-based models.
Since they use the same glasses, the Samsung LED and plasma were the easiest to compare, and in terms of crosstalk it was easy to see the plasma's superiority. The shelves above the scientific instruments, the instruments themselves, the pillars on the porch after the titles; the ironwork at the foot of the bed--all showed significant, distracting crosstalk on the LED and much less, or none, on the plasma.
We also watched some of the Home Run Derby on all four TVs, and the differences were similar. In some areas, such as the clothing of the announcers in the booth, crosstalk was visible on all four, but again it was worse on the LEDs. Compared to the Blu-ray, Fox's 3D looked significantly softer on all of the sets, of course, but the 3D effect felt natural for the most part, even when David Ortiz waved his bat at the camera to demonstrate the sense of depth.
Aside from crosstalk the 3D presentations on each TV were quite similar, and differences could often be attributed to picture settings or screen size. That said we did detect some color-related issues on the Panasonic that we didn't see on the Samsung; in particular it appeared bluer in its default setting, for example in the black-and-white Dreamworks logo, than did the Samsung, and the amber tint of the Panasonic's glasses showed through occasionally on crosstalk.
We didn't test Samsung's 2D-to-3D conversion system on this model, but we assume it performs similarly to what we saw on the UN55C8000. See that review, or , for more details.
2D picture quality: All told the PNC7000 provided excellent picture quality with 2D sources, evincing deep black levels and relatively accurate color. It lacks the 1080p/24 processing, inky blacks and spot-on color of some high-end TVs, but it showed no major issues in our tests, and delivered the uniformity and off-angle prowess we expect from plasma.
calibration evened out the scale significantly, although there were some spikes and valleys we couldn't get rid of in the darker areas (below about 35 IRE). We blame that on Samsung's interval system, which adjusted the 10 IRE points effectively, but not the areas between each of the ten. After our adjustments gamma measured an average of 2.17 versus 2.33 in default Movie (the standard is 2.2), but dark areas were still a bit too dark comp