The LNB750 series offers very good connectivity, although it does follow the recent trend of spurning S-video inputs--not one is to be found on this TV. The back panel sprouts three HDMI ports, two component video inputs (one of which can be sacrificed for composite video, if you need it), one VGA-style PC input, one RF input for cable and satellite, the Ethernet port, and one stereo analog and one optical digital audio output. The TV's side panel offers a fourth HDMI, two USB, and one AV input with composite video.
The Samsung LNB750 series is the best-performing LCD we've tested aside from the LED-backlit Samsung A950 and Sony XBR8 models. It delivers the staples--deep black levels and accurate color--and adds solid uniformity and a nicely customizable dejudder mode. The reflective screen is still an issue, but otherwise this set gets most everything right.
calibration Samsung's Movie preset again provided the most accurate picture, although as in the past its color temperature measured a bit blue compared to the D65 standard. We took advantage of the white balance controls to bring it closer into line, although the middle of the grayscale stayed stubbornly bluish despite our best efforts in the user menu. Samsung's gamma slider offers seven selections but we kept the default "0" setting for this model since it preserved enough shadow detail without washing out the brighter areas of the picture as we saw on higher settings. Average gamma measured a perfect 2.2, although in dark areas it was closer to 2.5, and we'd definitely prefer a more linear gamma option overall.
For our image quality tests we lined up a comparison involving six other models. LCD sets included the edge-lit LED-powered Samsung UN46B7000 and the 2008 Samsung LN52A650, along with the Sony KDL-52XBR9 and the Toshiba 47ZV650U--the latter two also 240Hz models. We also included two plasmas, the Panasonic TC-P46G10 and our reference Pioneer PRO-111FD. This time we checked out the stunning "Across the Universe" on Blu-ray.
Black level: The overall depth of black achieved by the Samsung LNB750 surpassed that of the other LCDs, including the company's own edge-lit model in all but the darkest scenes, although it wasn't as dark as that of the plasmas. The closest competitor was the Sony XBR9, but in very dark areas--like the building in the foreground, the letterbox bars and Jude's black leather jacket during the alleyway goodbye tryst in Chapter 3--the B750 got just a bit darker. Its black levels were significantly deeper than either the A650 or the Toshiba, and closer overall to the other sets.
Details in shadows looked a bit more-obscured than we saw on the plasmas. From the same scene, for example, Jude's hair, the folds on his jacket and the reluctant face of his Liverpool girlfriend seemed a bit less natural in their progression from shadow to light. Compared to the other LCD displays in our lineup, however, the B750 fared better, coming closer to the reference display than any of them. The difference was subtle between the XBR9 and the B750, however.
Color accuracy: As we've come to expect from higher-end Samsung TVs, the B750 performed very well in this area. Like the Sony, its primary and secondary colors were nearly perfect, as evinced by the lush yet-not-neon trees and grass of the campus in Chapter 4, or the appropriately garish reds and blues of the costumes during the Mr. Kite number. That scene also showed off the B750's solid color saturation. The image didn't have quite the same level of "pop" as the plasmas, but it looked better than either the A650 or the Toshiba and similar in saturation to the 7000 and the XBR9.
Skin tones looked mostly good, although we did see a very slight bluish cast in midtones. The close-up face of Sadie as she faced her mother after the bad tidings in Chapter 8, for example, seemed just a bit too pale compared to our reference plasma, although still better than the greenish cast we saw on the G10 and, to a lesser extent, the XBR9. We noticed similar differences in the Chapter 16 scene with the human flower, which provided a nice skin tone cornucopia. We also appreciated that the dark areas on the B750 looked closer to true black than on the bluish 7000 or the greenish A650, although they were still pretty blue--more so than the XBR9.
Video processing: The effects of the 240Hz refresh rate on the LNB750 were similar to what we saw on the Sony models--in other words, difficult to discern (at best) when watching regular program material, but providing a noticeable reduction in blurring during test patterns. The main difference between the two, and what makes the Samsung better than the Sony, is the former brand's ability to remove dejudder processing while keeping blur reduction.
With the Sony and most other dejudder-equipped 120Hz and 240Hz displays we've tested, you must engage the smoothing effect of dejudder if you want to minimize blur. With 2009 Samsungs, you can separate the two using the Custom setting. In fact, we got the best results by choosing Custom and setting blur reduction at 10 and judder reduction at zero. The Custom mode worked as we expected; as we decreased the blur reduction slider, the display delivered fewer lines of motion resolution. As we increased judder reduction the image took on more smoothness and also more artifacts. Compared to the 240Hz Sony the Samsung appeared just the tiniest bit sharper--although both resolved between 900 and 1,000 lines, the Samsung showed fewer artifacts on our test pattern. The LNB750 also outperformed the Toshiba on this test, although it looked less pristine than the Panasonic plasma.
As usual, engaging dejudder when watching the film made motion appear more videolike to our eyes, and we preferred to leave it off. Comparing between the Sony and the Samsung's dejudder modes, Standard on both seemed to preserve some of the judder of film without too much overt smoothness or artifacts, although the Samsung's Standard showed slightly more obvious artifacts, such as the halo that appeared around Sadie as she skipped through the forest in Chapter 15, or the slight breakup in the picket fence as the soldiers leave her mom's house in Chapter 8. We still prefer the look of Standard if you must engage dejudder. Choosing High on the Sony and Smooth on the Samsung increased the size of the halos and the incidence of other breakup, as usual.
In our still resolution tests the Samsung performed as expected, delivering every line of 1080i and 1080p sources and deinterlacing film- and video-based sources properly. The TV must be set to the Screen Fit aspect ratio and Auto 1 Film mode, respectively, to pass these tests.
Uniformity: The screen of the LNB750 is more uniform across its surface than many LCDs we've tested, including the Samsung 7000, the Toshiba, and the Sony XBR9. It didn't suffer from overtly brighter corners as the 7000 and the XBR9 did, although in flat field test patterns we did notice the edges of the LNB750's screen appeared slightly brighter than the middle.
The LNB750 did seem to wash out and lose black-level depth a bit faster than the XBR9 when seen from off-angle, however, although it didn't become too discolored nor wash out as quickly as did the 7000.
Bright lighting: Samsung used the same sort of glossy screen as last year, and we're not its biggest fans. In bright lighting, with windows facing the screen and overhead lights turned on, the screen does a very good job of preserving black levels in dark areas. However, the trade-off is overly bright reflections from those light sources and from other bright objects in the room, such as this reviewer's shirt. These reflections were much less bothersome during bright scenes, of course, but in darker scenes they proved distracting.
Standard definition: The LNB750 evinced generally solid standard-def picture quality. According to our tests the display handled every line of a DVD source and the shots of grass and steps from the detail test looked good. The set eliminated jaggies from video-based sources well, and its noise reduction cleaned up the lowest-quality shots of skies and sunset with aplomb. Finally the LNB750 passed 2:3 pull-down test by eliminating moire from the stands behind the racecar.
PC: Samsung's LNB750 series delivered excellent performance with HDMI sources from computers, resolving every line of a 1,920x1,080 image with no overscan or edge enhancement. The image did appear softer via VGA, and resolution wasn't quite full, but it was still very good.
|Before color temp (20/80)||6624/6822||Good|
|After color temp||6507/6525||Good|
|Before grayscale variation||441||Average|
|After grayscale variation||238||Average|
|Color of red (x/y)||0.636/0.327||Good|
|Color of green||0.298/0.589||Good|
|Color of blue||0.149/0.059||Good|
|Defeatable edge enhancement||Y||Good|
|480i 2:3 pull-down, 24 fps||Pass||Good|
|1080i video resolution||Pass||Good|
|1080i film resolution||Pass||Good|
Power consumption: The Samsung LN52B750 is among the more-efficient non-LED-based LCDs we've tested, drawing about 129 watts after calibration to equalize light output. That number surpasses the Sony KDL-52XBR9 (160 watts) and Samsung's own LN52A650 (140 watts), as well as the Sony KDL-52XBR6 (134 watts) and KDL-52XBR7 (161), but can't beat the 52-inch champ, Sharp's LC-52D64U (122).
|Samsung LN52B750||Picture settings|
|Picture on (watts)||191.15||128.86||102.6|
|Picture on (watts/sq. inch)||0.17||0.11||0.09|
|Cost per year||$41.18||$27.76||$21.99|
|Score (considering size)||Good|