Pro-Ject Audio Systems Hear It One headphones review: Good-sounding headphones just need a price trim

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CNET Editors' Rating

3 stars Good
  • Overall: 6.3
  • Design: 7.0
  • Features: 5.0
  • Sound quality: 7.0
  • Value: 6.0
Review Date:
Updated on:

The Good The Pro-Ject Audio Systems Hear It One headphones are light for a full-size model, have an accurate tonal balance, and come with a two-year parts-and-labor warranty.

The Bad Very similar design to models that cost less; don't fold up for compact storage; no inline remote/mic; the cable doesn't detach, so it isn't user-replaceable.

The Bottom Line Pro-Ject Audio Systems' first headphones sound decent, but their $129 price tag is out of line given the nothing-special build quality.

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Pro-Ject Audio Systems is best known as a leading manufacturer of affordable audiophile turntables, but now, with the $129 Hear It One, the company has entered the headphone market. You'd expect, then, to get an affordable pair of audiophile headphones -- and you mostly do. But while the company's debut model sounds decent and is comfortably lightweight, the headphone space has become extremely competitive, and the Hear It One design doesn't do quite enough to distinguish itself to measure up to its $129 price tag.

Design and features
The Hear It Ones may be classified as full-size, over-the-ear headphones, but the earcups are smaller than the ones on the Audio-Technica ATH-M50 monitor headphones. If you have big ears the Hear It One's oval-shaped pads won't completely cover your ears. The headphones are unusually light, just 6.5 ounces, but the moderately high earpad pressure made for a fairly uncomfortable fit after a few hours of use, and the faux leather pads might make your ears sweat in warm weather. The closed-back design does a fair job of hushing environmental noise, and people nearby won't hear much sound "leaking." The mix of faux leather, glossy black plastic, and real aluminum caps on the earcups is attractive, but the Hear It Ones look like a near twin of the $30 Incipio f38 and $70 Fischer Audio FA-004 v2 headphones. (Note: the Hear It Ones do weigh more than the Incipio f38s -- 0.42 pound versus 0.36 pound -- so it's quite possible that the Hear It One model has higher-grade drivers and other components).

The Hear It Ones look very similar to a couple of other pairs of headphones that cost less. Sarah Tew/CNET

Like the Incipio and Fischer Audio models, the Pro-Ject's Hear It One model has earcups that slide up and down over steel wires that exit a plastic housing to compensate for differently sized and shaped heads, but a gentle twist of the cups revealed some play, and that didn't inspire confidence in the headphones' long-term durability. Then again, the Hear It Ones come with a two-year parts-and-labor warranty, and that's double the coverage of most headphones in this price range. It features 38mm drivers, which have a rated impedance of 32 ohms. It's an efficient design, so the Hear It One can play nice and loud with an iPod or phone.

The earcups are nicely padded. Sarah Tew/CNET

Some of the design choices made for the Hear It One are out of step with the competition, starting with the fact that the headphones have a permanently attached, fabric-covered cable, terminating in an all-metal 3.5mm plug. The 42-inch-long high-purity oxygen-free copper cable feels a little stiff and has a tendency to kink. We consider the non-user-replaceable cable a major design flaw, because when the cable or connector fails, the headphones will have to be returned for service (the two-year warranty might come in handy at that point). That's why most competing models have user-replaceable cables. Worse yet, the Hear It One's cable doesn't have a mic or phone remote controls.

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Where to Buy

Pro-Ject Audio Systems Hear It One

Part Number: HEAR-IT ONE Released: Sep. 25, 2012

MSRP: $129.00

See manufacturer website for availability.

Quick Specifications See All

  • Release date Sep. 25, 2012
  • Headphones Form Factor Over-the-ear
About The Author

Ex-movie theater projectionist Steve Guttenberg has also worked as a high-end audio salesman, and as a record producer. Steve currently reviews audio products for CNET and works as a freelance writer for Home Theater, Inner Fidelity, Tone Audio, and Stereophile.