Pansonic HDC 700 review:

Pansonic HDC 700

Canon HF S200/S20 JVC Everio GZ-HM1 Panasonic HDC-TM700 Sony Handycam HDR-CX550V
Sensor 9-megapixel CMOS 10-megapixel BIS CMOS 3 x 3-megapixel 3CMOS 6-megapixel Exmor R CMOS
1/2.6 inch 1/2.3 inch 1/4.1 inch 1/2.88 inch
Lens 10x
43.5 - 435mm (16:9)
35 - 420mm (16:9)
29.8 - 298mm (16:9)
Min illumination (lux) standard: 4
low light: 0.3
standard: 11
low light: 3
Night Shot (IR): 0
standard: 1400
low light: 1.6
Color Night View: 1
standard: 11
low light: 3
Night Shot (IR): 0


No No Yes
0.27 inch, 123,000 dots
0.2 inch 201,000 pixel
LCD 3.5-inch 922,000-dot touch screen 2.8-inch n/a 3-inch 230,400-dot 3.5-inch 921,000-dot touch screen
Primary media 0GB/32GB flash; SDHC 64GB flash; SDHC 32GB flash; SDXC 64GB flash; SDXC
HD recording AVCHD:
1080/60i @ 24, 17 Mbps; 1440x1080/60i @ 12, 7, 5 Mbps
H.264 MPEG-4:
1080/60i @ 24, 17, 12, 5 Mbps
MPEG-4: 1080/60p 28Mbps;
1080/60i @ 17, 13, 9 ,5 Mbps
1080/60i @ 24, 17 Mbps; 1440x1080/60i @ 9,5 Mbps
Manual shutter speed and iris Yes Yes Yes Yes
Accessory shoe Yes Yes Yes Yes
Audio 2 channels;
mic, headphone jacks
2 channels;
mic, headphone jacks
5.1 channels;
mic, headphone jacks
5.1 channels;
mic, headphone jacks
Body dimensions (WHD, inches) 3 x 2.9 x 5.5 2.7 x 2.9 x 5.4 2.6 x 2.7 x 5.4 2.6 x 3 x 5.8
Operating weight (ounces) 18 17 (est) 15.2 17 (est)
Mfr. Price $999/$1,099.99 $1,199.95 $999 $1,199.99
Ship date April 2010 March 2010 April 2010 February 2010

You can tell where Panasonic cut corners to beat the price of the most similarly equipped competitor, Sony's HDR-CX550V: primarily with the small, low-resolution LCD. Of course, that's one key to its small size as well. Panasonic is the last manufacturer to leave buttons on the LCD bezel. I prefer this approach, since touch-screen based controls tend to introduce a slight operational delay--you have to wait for the preceding screen to time out, for example, before the menu or zoom controls appear. It's also more practical here, since Panasonic also has the smallest, lowest-resolution LCD in its class.

Overall, the LCD isn't bad, and is relatively usable in direct sunlight, but during manual focus and exposure I ended up relying a bit too much on the peaking or luminance-level readouts; not everyone is comfortable shooting by the numbers rather than by sight, but it's necessary here. I also have mixed feelings about the interface. It's generally well-designed; you can easily access most frequently needed settings, the menu structure is pretty straightforward, and the touch screen reasonably responsive. But the smallish screen quickly gets cluttered with the icons and readouts, and the coarse screen and clunky icons are simply unattractive.

In addition to the slightly better set of manual controls and typical set of automatic features, including an Active mode for the image stabilizer (for shooting while walking) the TM700/HS700 offers a somewhat expanded set of automatic options, such as intelligent contrast and exposure. The most novel capability is face recognition, which seems to work similarly to the way it functions in the company's still cameras. You can register up to six faces in the camcorder's memory with names, priority (for AF and exposure), and a custom focus icon. It identifies them during recording, but not playback. (For a complete rundown on the TM700 and HS700's features and operation, download the PDF manual.)

The most notable aspect of the camcorder's performance: battery life. The bundled battery lasts far longer than its competitors', which seems to be partly due to its higher capacity--while Canon supplies an anemic 890mAh model and Sony a middling 980mAh, Panasonic's is rated at 1250mAh. The autofocus system operates reasonably well. Though it took a few missteps when deciding what was subject and what was background, the tracking AF did a nice job.

Overall, the video quality is quite good, and like all the camcorders, it looks far better on a TV than on a computer. It's better in low light than the rest, with lower noise and accurate but slightly more saturated colors. Its automatic metering delivers better exposures, especially in backlit situations, though it appears to clip highlights more frequently. But there's practically no fringing on the edges of those highlights. The 60p video looks a bit better than the 60i, with sharper edges (in part due to the higher bit rate). However, the camcorder generally shows artifacts on edges, including interlace and rolling, on scene elements such as the static windows of a building behind waving flags. On the bright side, Panasonic defaults to its 13 megabits-per-second quality mode, which is full 1,920x1,080, compared to Sony and Canon which default to sub-HD 1,440x1,080 modes. Because of the small, low-resolution sensors still photo quality doesn't match the competition's. I do think the TM700/HS700 has the best audio quality of its peers, with a warmer (not tinny) sound and an effective wind filter.

Unless you need enough capacity to record all-day sessions there's really no reason to opt for the overpriced hard-drive-based HS700; a hard drive full of video left in the camcorder is an accident waiting to happen. Especially since the TM700 is so attractively priced compared to its competitors. If you don't mind the functional-but-homely interface and design, it's a solid choice.

What you'll pay

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