Panasonic Lumix DMC-FZ50 review: Panasonic Lumix DMC-FZ50

Shooting speed
(Shorter bars indicate better performance)
Typical shot-to-shot time  
Time to first shot  
Shutter lag (typical)  
Sony Cyber Shot DSC-H2
Canon PowerShot S3 IS
Panasonic Lumix DMC-FZ4
Panasonic Lumix DMC-FZ50
Kodak EasyShare P850
Note: Results are in seconds.

Typical continuous-shooting speed
(Longer bars indicate better performance)
Note: Results are in seconds.
Overall, images from the Panasonic Lumix DMC-FZ50 were impressive, especially for a Panasonic, whose cameras tend to be noisier than this one. We still saw some noise, even at its lowest ISO, but some of this may have been worsened by compression artifacts, which showed up to turn some diagonal and curved lines jaggy. Exposures were generally accurate, and colors were well saturated. Also, we saw very little distortion from the lens at its midpoint and also at its furthest telephoto settings. At its widest, the lens showed some noticeable barrel distortion, though you'll likely notice it only if you're shooting something with straight lines, such as a skyscraper or a telephone pole. For a non-SLR lens, it's very sharp. We saw lots of crisp, fine detail in our shots at lower ISOs.

As we mentioned earlier, we same some minor speckles of noise even at ISO 100, though it was mostly in shadows and darker colors. At ISO 200, it grew a little, but in both cases, it most likely won't be noticeable in prints. At ISO 400, noise was more apparent and showed in all colors. We also noticed a slight fall-off in the sharpness of finer details. At ISO 800, noise was obvious, but images were still usable for prints, especially at smaller sizes. At ISO 1,600, we saw abundant noise and most fine detail was obliterated. We suggest that you shy away from using this setting and stick to lower ISOs. Despite this, we were pleased to see that Panasonic has started to make some headway in keeping noise under control in their cameras.

The automatic white balance turned in horribly warm images with our lab's tungsten lights. The tungsten preset was much better but still not totally neutral. Manual white balance yielded the best results. On the plus side, the camera does an excellent job of balancing fill flash with existing lights.

Though it's much bigger and more expensive, Panasonic's Lumix DMC-FZ50 offers serious competition to our current superzoom favorite, the Canon Power Shot S3 IS. This Lumix won't take away the S3 IS's crown, but it's worth a look if you can get over its large size and somewhat bloated price tag.

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Panasonic Lumix DMC-FZ50K (black)

Part Number: DMC-FZ50K
MSRP: $549.95 Low Price: $548.19 See all prices

Quick Specifications See All

  • Digital camera type Full body
  • Sensor Resolution 10.0 Megapixel
    10.0 Megapixel
  • Optical Zoom 12 x
  • Optical Sensor Size 1/1.8"
  • Optical Sensor Type CCD
  • Image Stabilizer optical