Panasonic Lumix DMC-FZ40 review: Panasonic Lumix DMC-FZ40

There are 21 scene modes for those times when you want to get specific with your auto shooting. Many of them are available for photos and movies. Five of the scene modes have spots on the Mode dial, and each of them has its own sets of scene modes. Portrait mode, for example, has Normal, Soft Skin, Outdoor, Indoor, and Creative settings. Creative is basically the Normal option with a slider for adjusting aperture, giving users a midway point between an automatic scene mode and aperture-priority mode.

Similarly, Panasonic includes several options for experimenting with color and style. On the Mode dial is a My Color mode with a bunch of filters brought over from the Lumix G series cameras. With names like Expressive, Retro, Pure, High Dynamic, Pin Hole, and Film Grain, they're a lot like what you'd find in a smartphone app. There are color effects you can play with, too, that are for use when you're in other shooting modes.

For those who like to take more control, the FZ40 does offer aperture-priority, shutter-priority, and manual shooting modes. Apertures are f2.8-8 wide and 5.2-8 telephoto. Shutter speeds go from 60 seconds to 1/2,000 second. There is also a manual mode for shooting movies. There's a Program mode, too, should you want to adjust things like ISO, white balance, and exposure compensation, but not worry about shutter speed and aperture settings.

If you like to shoot close-ups, the FZ40's macro function can focus as close as 0.4 inch to a subject. The results are fairly sharp below ISO 200 with plenty of fine detail, though a little sharpening with software improves things. A button to the right of the LCD lets you quickly switch to macro autofocus or manual focus. It will also enter macro in Intelligent Auto mode when you get closer to a subject.

Again, without the high-speed benefits of the FZ100's MOS sensor, the FZ40's shooting performance is nothing special. Shutter lag is relatively low at 0.5 second and 0.9 second in bright and dim lighting, respectively. From shot-to-shot without the flash, you're waiting 1.6 seconds; adding the flash drags that time to 4 seconds. Its time from off to first shot is 1.5 seconds, which is above average for its class. Lastly, it's capable of shooting continuously for up to five photos at 1.6 frames per second at its full 14-megapixel resolution. A 3-megapixel high-speed burst is available as well that shoots at up to 10fps.

FZ40's control panel
The FZ40's controls are well spaced and easy to use, but its menus can get a bit confusing.

The camera is well designed and generally nice to use. There's an ample hand grip so you can comfortably handle its 1.1-pound weight. The grip houses a memory card and a large rechargeable battery CIPA rated for up to 580 shots. On top along with the shutter release/zoom lever, power switch, and Mode dial is a one-touch record button for movies and one for setting the variable autofocus area.

On back below the small, but serviceable electronic viewfinder is a decent 3-inch LCD. To its left are the main controls for menu navigation and shooting. They're all well-spaced and easy to press, and there's a jog dial for quickly changing things like aperture, shutter speed, and exposure compensation. However, because of the abundant feature set it's all too easy to get lost trying to find a setting in Panasonic's menu systems. It's not insurmountable, but if you frequently make changes it can quickly become frustrating.

Without the accessory shoe on top and no mic input, you can't add on a flash or a mic. But there are conversion lenses and filters available for it, and Panasonic includes a lens hood.

Having tested the FZ100 before the FZ40, it's definitely a case of "you don't know what you've got till it's gone" for me. I really missed the fast shooting of the FZ100, especially since it meant I could capture in raw plus JPEG without slowing down. On the other hand, it is $100 more, so if you don't need the fast shooting for sports, kids, or wildlife, or the movie capture features, the FZ40 is worth the investment.

Shooting speed (in seconds)
(Shorter bars indicate better performance)
Time to first shot  
Typical shot-to-shot time  
Shutter lag (dim)  
Shutter lag (typical)  
Panasonic Lumix DMC-FZ100
1.5 
0.9 
0.8 
0.4 
Nikon Coolpix P100
1.8 
1.4 
0.6 
0.4 
Sony Cyber-shot DSC-HX1
2 
1.4 
0.7 
0.4 
Panasonic Lumix DMC-FZ40
1.5 
1.6 
0.9 
0.5 
Fujifilm FinePix HS10
2.2 
2.4 
1.1 
0.7 
Canon PowerShot SX30 IS
1.8 
3.5 
0.8 
0.5 

Typical continuous-shooting speed (in frames per second)
(Longer bars indicate better performance)

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Quick Specifications See All

  • Digital camera type Full body
  • Optical Zoom 24 x
  • Optical Sensor Type CCD
  • Sensor Resolution 14.1 Megapixel
  • Image Stabilizer optical (POWER O.I.S.)
  • Lens 25 - 600mm F/2.8
  • Optical Sensor Size 1/2.33"