Panasonic Lumix DMC-FH20 review: Panasonic Lumix DMC-FH20

Overall photo quality is very good from the FH20, though those planning to make prints larger than 8x10 inches will be less happy with the results. Like most cameras in its class, the FP8 produces its best photos below ISO 200. The results are still good at ISO 400, but there's an increase in noise that causes yellow blotches. Detail is strong and subjects are sharp, though, so larger prints and a reasonable amount of cropping are possible. Photos at ISO 800 and ISO 1600 are of limited use. Though there's still a fair amount of detail, there's a lot of graininess, color shifting, and yellow blotches throughout pictures.

The camera's lens does exhibit some barrel distortion at the wide end and a slight amount of pincushioning when fully extended. Center sharpness is very good and there's little to no drop-off out to the sides or in the corners. It's typical to find some fringing in high-contrast areas of photos. There is almost no fringing visible in photos taken at the lens' widest position, though it does show up at the telephoto end. However, it is only really visible when photos are viewed at full size.

Color is pleasing and natural. If you like your colors more saturated, you can switch from the camera's Standard color mode to Vivid when shooting in Normal Picture mode. Also, there's a noticeable color shift at the two highest ISO sensitivities. Other than the auto white balance being a touch warm under incandescent lighting, white balance is good. Exposure is likewise good, though I missed having the Intelligent Exposure feature on Panasonic's higher-end models.

The HD video quality is good--basically on par with HD minicamcorders. The biggest problem is there's noticeable judder when panning the camera; this happens with most point-and-shoot cameras, though. You don't get use of the optical zoom while recording, but you do get the optical image stabilization.

Panasonic's Lumix DMC-FH20 isn't very exciting, but it is a very good value for those in need of a basic point-and-shoot with a midrange zoom.

Shooting speed (in seconds)
(Shorter bars indicate better performance)
Time to first shot  
Typical shot-to-shot time (flash)  
Typical shot-to-shot time  
Shutter lag (dim)  
Shutter lag (typical)  
Fujifilm FinePix JZ500
Nikon Coolpix S6000
Panasonic Lumix DMC-FH20
Sony Cyber-shot DSC-W370

Typical continuous-shooting speed (in frames per second)
(Shorter bars indicate better performance)
Panasonic Lumix DMC-FH20

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