The LCD is a nice upgrade from the earlier models, bright and crisp, and better for manual focusing.
|Olympus E-PL1||Olympus E-PL2||Panasonic Lumix DMC-GF2||Samsung NX100|
|Sensor (effective resolution)||12.3-megapixel Live MOS||12.3-megapixel Live MOS||12.1-megapixel Live MOS||14.6-megapixel CMOS|
|17.3mm x 13mm||17.3mm x 13mm||17.3mm x 13mm||23.4mm x 15.6mm|
|Sensitivity range||ISO 100 - ISO 3200||ISO 100 - ISO 6400||ISO 100 - ISO 6400||ISO 100 - ISO 3200/6400 (expanded)|
|Continuous shooting||3.0 fps
unlimited JPEG/7 raw
10 JPEG/ 3 raw
|Optional plug-in articulating EVF
|Optional plug-in articulating EVF
|Optional plug-in EVF
|Autofocus||11-area contrast AF||11-area contrast AF||23-area contrast AF||15-point contrast AF|
|Metering||324 area||324 area||144 zone||247 segment|
|Shutter||60-1/2000 sec; bulb to 30 minutes||60-1/2000 sec; bulb to 30 minutes||60-1/4000 sec; bulb to 4 minutes||30-1/4000 sec.; bulb to 8 minutes|
|3-inch fixed touch screen
|3-inch fixed AMOLED
|Image stabilization||Sensor shift||Sensor shift||Optical||Optical|
|Video (max resolution at 30fps)||720p Motion JPEG AVI||720p Motion JPEG AVI||1080/60i/50i @ 17, 13 Mbps
720/60p @17, 13 Mbps AVCHD or Motion JPEG QuickTime MOV
|720p H.264 MPEG-4|
|Audio||Mono; Mic input||Mono; Mic input||Stereo||Mono|
|Battery life (CIPA rating)||290 shots||n/a||300 shots||420 shots|
|Dimensions (WHD, inches)||4.5 x 2.8 x 1.6||4.5 x 2.8 x 1.6||4.4 x 2.7 x 1.3||4.7 x 2.8 x 1.4|
|Weight (ounces)||12.4||12.4||11||11 (est)|
|Mfr. Price||$449.99 (body only)||n/a||$499.95 (body only, est)||n/a|
|$499.99 (with 14-42mm f3.5-5.6 lens)||$599.99 (with 14-42mm II lens)||$599.95 (with 14-42mm f3.5-5.6 lens)||$499.99 (est, with 20-50mm f3.5-5.6 i-Function lens)|
|$699.00 (with 14-42mm and 40-150mm lenses)||$799.99 (with 14-42mm and 40-150mm lenses)||n/a||$599.00 (with 50-200mm lens)|
|$899.99 (with 14-150mm lens)||n/a||$699.95 (with 14mm f2.5 lens)||n/a|
|Ship date||March 2010||January 2011||January 2011||October 2010|
The body design and shape is fundamentally the same as the E-PL1, but I like the E-PL2's all black a little better than the black with silver of its predecessor. It's still very well built and sturdy, and it managed to survive an accidental fall off my desk. There's one oddity, however; equipped with the 14-42mm msc kit lens, the body overbalances and wobbles in a Weebles kind of way. Not a problem, but a little disconcerting when you put it down.
Its fundamental layout remains unchanged. The top dial includes typicalas well as a dedicated movie mode and Art Filters. Olympus' Live Guide, which appears in automatic, provides a user-friendly adjustment interface and shooting tips; it now works with video. I really like that you don't have to be in movie mode to record. The company has expanded its Art Filters to accommodate more variations on each filter. There's also a new Art Frame that you can add in-camera as well as overlay two filters. Real-time Art Filter preview processing can be burdensome for the camera--display refresh slows down to a crawl--so Olympus added a second display mode for Art Filters that provides a lower-quality preview. That ratchets up their usefulness quite a bit.
For shooting, Olympus changed the large buttons and four-way-navigation keys to smaller buttons and a dial for navigation. It looks a lot nicer and I like the dial, but the buttons may be small for some people. The movie record button is also recessed a bit more, to prevent accidental operation.
This newer generation model also supports the more recent version of the accessory connector for an add-on EVF, the new PEN Pal Bluetooth module, and the antenna-like macro light. There's also a ton of advanced features in the camera, but you have to read the manual, and you must turn on the double-secret menu system to know some of them exist. For instance, it's now more flexible for HDR shooting, with up to a seven-frame bracket. Every button on the camera can be redefined. You can hardwire in an exposure shift for each metering mode independently, specify how long many of the adjustment control displays persist, and add copyright information. There are also four slots for saving custom settings, but accessing them seems to be a fairly clunky process as far as I can tell; you can map one to the Fn button, but to use any other but the mapped default you have to go into the menu system. The one feature that would be nice to have is time lapse. (For a full account of the E-PL2's features and operation, download the PDF manual.)
A notable update over the E-PL1, the Olympus PEN E-PL2 delivers better photo quality and performance, as well as a nice shooting experience. But while I'd definitely recommend it to people who want to upgrade from a point-and-shoot to get better overall (and especially low-light) photo quality, it remains a little too sluggish to recommend for shooting active kids and pets.
(Shorter bars indicate better performance)
|Time to first shot||Raw shot-to-shot time||Typical shot-to-shot time||Shutter lag (dim)||Shutter lag (typical)|
(Longer bars indicate better performance)