The control layout is pretty typical, although Nikon seems to have eliminated more direct-access buttons than most products in its class and replaced them entirely with the interactive display. Through it, in combination with the back dial and multi selector, you adjust shutter speed, aperture, image size and quality, white balance, ISO sensitivity, focus mode, AF area (single, multi, wide area, and 3D tracking), metering, D-Lighting, exposure bracketing (three shots in up to two stop increments), Picture Control, exposure and flash compensation, and flash mode. I generally like the interactive displays, but the D5000's LCD is a bit difficult to see in sunlight, which made changing settings somewhat problematic. There's also a programmable function button that falls under your left thumb--I like that location--to which you can assign direct access to drive modes, image size and quality, ISO sensitivity, white balance, Active D-Lighting, raw override, and bracketing.
There's no dedicated mode for shooting video (that's a good thing); instead, while in Live View mode, you use the OK button to stop and start recording. Though it doesn't do continuous autofocus, you can initiate AF while recording. Like Canon's, however, it's very slow and a bit noisy. (For more on the design, click through the slideshow. For a complete list of features and their implementations, you can download a PDF copy of the D5000's manual.)
I do feel somewhat ambivalent about the D5000's design. Articulated LCDs are great, and definitely enhance the usability of Live View. But ultimately I find the flip-down version on the D5000 less useful than the flip-out versions on Olympus' SLRs: it's good for overhead and hip-level shooting, but not as comfortable for sideways. Of course, from that perspective it's far more flexible than Canon's fixed LCDs. But the D5000's LCD isn't very good. In addition to the aforementioned visibility problem in direct sunlight, it just seemed soft; I couldn't tell if my photos were sharp, and manual focus in Live View (and video recording) was nearly impossible. Furthermore, there's no way to keep the multi selector switch from accidentally moving the selected AF points, which I did, repeatedly. Finally, the viewfinder is small and dim, and the AF lock light is way down in the lower left corner where you have to strain to see it. On the upside, it has an optional grid display.
But the D5000 definitely comes through on performance and photo quality. It's fast, and generally outshoots the D90, most notably in low-light autofocus. It powers on and shoots in about 0.2 second, with shot lag as good as 0.3 second under good light and a still-respectable 0.7 second in dim. It shoots and saves JPEG files slightly faster than raw, though they both round out to about 0.5 second; adding flash bumps that just slightly to 0.9 second. Burst shooting clocks about 4 frames per second--same as the D90--putting it at the head of this class. The AF system is pretty good, too, and the whole thing is certainly fast enough to keep up with the typical shooting material of kids, sports, and pets. The battery lasts a relatively long time as well; it's CIPA rated at about 510 shots.
It also delivers excellent photo quality for the price, with solid exposure (though not as bright and straight-to-printer friendly as the T1i's) and great color. Its noise profile is very good up through ISO 1,600 and, for a variety of scenes, usable through its extended ISO 6,400 (Hi). The kit lens is above average as well: very sharp and able to focus quite closely. As with the D90, though, the video is a bit disappointing. The camera only shoots 24fps 720p, which isn't a fast enough frame rate to render quite as smoothly as we've come to expect and doesn't scale very well to full-screen playback. It's usable, and fine if you're interested in experimenting, but it doesn't look sharp or polished.
As long as you don't get as hung up as I did on its operational quirks or have high expectations of shooting video, there's plenty to like about the Nikon D5000--especially if you're most interested in its core aptitudes of a wealth of features, speedy shooting, and high-quality photographs for the money.
(Shorter bars indicate better performance)
|Time to first shot||Raw shot-to-shot time||Shutter lag (dim light)||Shutter lag (typical)|
(Longer bars indicate better performance)