As the headphones are proudly made in Brooklyn, I looked to a band from the same borough, Hospitality, and its whimsical self-titled album to test the headphones. The SR80i was able to pick out individual instruments like acoustic guitars, bass, drums, and more exotic wind instruments and place them in a wide performance space. Vocal detail was excellent and cymbals were crisp, while the prodigious bass also balanced nicely. In comparison, the SR60i were less airy with a warmer and also less tiring sound.
In line with what Grado says, the SR80is drive more bass than the original model, but the trade-off seems to be less sweetness in the treble response. The fit is also less comfortable with the new pads, though you can try buying the original pads as a spare part. I experimented with swapping the old earpads and the new between headphones, while the new pads on the original SR80 sounded worst, both sets sound great on the new SR80i. If you want to keep the newfound warmth of the SR80i leave them as is, but for $20 the "L-Cush" are worth experimenting with for added zing and comfort.
Despite the low-end improvements, the SR80i model is still less bassy than the SR60, with the scale tipped the other way in favor of treble detail and immediacy. If you're looking for something a little more even with both treble detail and depth-charged bass, skip over Grado entirely and opt for the closedheadphones, which are very impressive for the extra money. What they miss, however, is the Grado's light touch with music.
I am a big fan of thein-ear headphones, and the SR80s actually sound more like them than they do their own kin. Think of the SR80is as the "sitting at home" version of the UE's travel-friendly design.