Design and features
The XF1's classic retro design is the highlight of the camera and what sets it apart from the more modern-looking cameras in its class. Though the synthetic leather may look cheap to some, it's much better than plastic and feels good to boot. The aluminum body adds some weight and strength and all in all it feels well-constructed.
Though I like the XF1's lens design, it's definitely not for everyone. There is no power button or switch. Instead you unlock the lens with a twist, pull the lens out from the body into what Fujifilm calls Standby mode, and twist the lens again until it powers on. Twist the lens back and the camera shuts off again, at which point you can leave it extended ready to quickly power up and shoot, or collapse it back down into Portable mode.
The manual zoom lens goes from 25mm to 100mm and gives you more precise control over focal lengths than a power zoom. The camera's bright f1.8 aperture is only available at the 25mm position, however, shrinking to f4.9 when zoomed in. It slows down relatively fast, too, with f3.6 being the maximum aperture at the lens' 35mm position, and f4.2 at 50mm. Basically, while it's great to have the f1.8 aperture available for low-light shooting, you're stuck with the 25mm focal length in order to use it.
Here's how its specs match up against some of the competition:
|Canon PowerShot S110||Fujifilm XF1||Samsung EX2F|
|Sensor (effective resolution)||12.1MP CMOS||12MP EXR CMOS||12MP EXR CMOS||10.1MP MOS||12.4MP BSI CMOS|
|Sensitivity range||ISO 80 - 6400||ISO 100 - ISO 3200||ISO 100 - ISO 12800||ISO 80 - ISO 6400||ISO 80 - ISO 3200/ 12800 (expanded)|
f1.8 - 4.9
|Closest focus (inches)||1.2||0.4||1.2||0.4||0.4|
|Continuous shooting||0.9 fps
8 JPEG/n/a raw
12 JPEG/ n/a raw
(11fps without tracking AF)
|Shutter||15 - 1/2,000 sec||30 - 1/4,000 sec||n/a||60-1/4,000 sec||30-1/2,000 sec|
|LCD||3-inch fixed touch screen
|3-inch articulated AMOLED
H.264 QuickTime MOV
|1080/30p H.264 QuickTime MOV Stereo||1080/30p H.264 QuickTime MOV||1080/60p AVCHD @ 28Mbps; 1080/60p QuickTime MOV @ 28Mbps
|Manual iris and shutter in video||Yes||No||n/a||n/a||n/a|
|Optical zoom while recording||Yes||Yes||Yes||n/a||Yes|
|External mic support||No||No||No||No||Yes|
|Battery life (CIPA rating)||200 shots||270 shots||300 shots||330 shots||n/a|
|Dimensions (WHD, inches)||3.9 x 2.3 x 1.1||4.6 x 2.7 x 2.2||4.2 x 2.4 x 1.2||4.4 x 2.6 x 1.8||4.4 x 2.4 x 1.1|
|Weight (ounces)||7||12.4||7.9||10.6 (est)||11.4 (est)|
Overall, I like the control layout for the XF1, though the small, flat buttons on back as well as the function button on top can be difficult to press. There are two dials on the camera that can be used to change settings such as aperture and shutter speed. Along with the single function button, there's an E-fn button that basically lets you map the buttons on back to other settings. It's a great setup for quickly accessing settings that are important to you, though the button on my camera wasn't the most responsive.
Battery life isn't particularly great, so you'll probably want to invest in a backup battery or two if you plan to regularly travel with this camera. The battery isn't charged in the camera, either, which means instead of just carrying a USB cable, you'll need to pack the XF1's wall charger.
The screen is big and bright but it can still be difficult to see in the sun, and without an option to add an optical or electronic viewfinder, you'll have to make do. The same goes for the flash; the tiny manual pop-up one is OK, but if you regularly need to use a flash, there's no hot shoe to add an external one. If a hot shoe and viewfinder are must-haves for you, check out Fujifilm's X20, which has both those features and more but costs an additional $200.
There is no shortage of shooting modes on the XF1, including two Auto modes (with or without scene recognition) right up to semimanual and manual controls (as well as two Custom spots where you can save your own setups). In manual mode, available shutter speeds start at 30 seconds and go down to 1/4,000 second (though at f1.8 it stops at 1/1,000 second); selectable apertures go from f1.8 to f11 at wide end, and f4.9 to f11 at the telephoto end. If you don't mind the small buttons, using this camera outside of Auto is a pleasure; if you want good access to settings, this is your point-and-shoot.
There are Fujifilm's EXR options as well, made possible by the camera's sensor. These consist of High Resolution Priority, D-Range Priority, and High Sensitivity & Low Noise Priority. The High Resolution Priority setting uses the full 12-megapixel resolution for photos, while the other two shoot at 6 megapixels to improve dynamic range in high-contrast scenes or reduce noise in low-light photos. If you're not sure which to use, there's an Auto EXR mode that includes scene recognition and that can also recognize which EXR Priority option to use. It's effective and reliable as long as you're OK with the possibility that you'll end up with 6-megapixel photos if the D-Range and High ISO & Low Noise Priority modes are used for your shot.
The Advanced mode gives you a few more tools to work with that take advantage of the camera's speedy sensor: Pro Low-light and Pro Focus. The Low-light mode snaps off several photos and then combines them into one lower-noise photo, while the Pro Focus creates a shallow depth of field by digitally blurring the background. (The former works better than the latter.) In this mode you'll also find a cool multiple-exposure option that lets you layer one shot on top of another as well as eight advanced filters (Toy, Miniature, Pop Color, Dynamic Tone, Partial Color, High Key, Low Key, and Soft Focus. You can see examples of some of these in the slideshow in the picture quality section of the review.)
Conclusion: The Fujifilm XF1 is a nice camera for those who want the look and many of the features of an enthusiast compact, but will use it primarily as an automatic point-and-shoot. It's an attractive camera that takes above-average photos indoors and out. It's just that it has limitations that some enthusiasts might object to, especially those for whom the look of the camera isn't much compensation.