I have to admit: shooting Live View and video with the T4i is a joy compared with most dSLRs --but only with the STM lens -- because the contrast AF snaps in relatively quickly, decisively, and quietly when shooting. Ironically, some folks used to camcorders might find that the AF moves a little too quickly if they're used to the more gradual fade-into-focus operation of those cameras.
I think the battery life should be a little better for the money, though.
Design and features
Canon has enhanced the design significantly over the T3i. Grip allergies aside, the camera feels much like the T3i: slightly plasticky, but ultimately solid and relatively lightweight.
On the right shoulder of the camera sits the mode dial, which has the usual assortment of. There's a new multishot HDR Backlight Control mode, which automatically combines four image exposures to retain detail in shadow and highlight areas for backlit subjects. It works pretty well, but like most HDR modes requires that you hold the camera extra steady and wait a few seconds for the image to process after shooting. There's an analogous Handheld Night Scene mode as well.
But the most notable change to the top controls is the introduction of a three-way on/off/movie switch, a vast improvement over putting movie mode on the mode dial. If you frequently jump between stills and video, this streamlines shooting immensely over the T3i.
The control layout on the back remains essentially unchanged, but Canon tweaked the design on the menu and info buttons for the better; they're slighly easier to feel now.
While the LCD remains the same size, it's now a touch screen. It's responsive and has an updated user interface and the usual capabilities, like touch focus, that streamline Live View shooting. You can view the screen pretty well in direct sunlight. You don't have to use it if you don't want to, though operations like selecting ISO sensitivity go much faster when you can directly select rather than having to cycle through them. Overall, I find Canon's interface straightforward and easy to use. The viewfinder also remains unchanged, including the annoying tiny AF points.
|Canon EOS Rebel T3i||Canon EOS Rebel T4i||Canon EOS 60D||Nikon D5100||Pentax |
|Sony Alpha SLT-A65V|
|Sensor effective resolution||18MP CMOS||18MP hybrid CMOS||18MP CMOS||16.2MP CMOS||16.3MP CMOS||24.3MP Exmor HD CMOS|
|22.3 x 14.9mm||22.3 x 14.9mm||22.3 x 14.9mm||23.6 x 15.6mm||23.7 x 15.7mm||23.5 x 15.6mm|
|Focal- length multiplier||1.6x||1.6x||1.6x||1.5x||1.5x||1.5x|
|Sensitivity range||ISO 100 - ISO 6400/ 12800 (exp)||ISO 100 - ISO 12800/ 25600 (exp)||ISO 100 - ISO 6400/ 12800 (exp)||ISO 100 - ISO 6400/ 25600 (exp)||ISO 100 - ISO 12800/ 25600 (exp)||ISO 100 - ISO 16000|
|Burst shooting||3.7 fps |
6 raw/34 JPEG
6 raw/22 JPEG
16 raw/58 JPEG
|4 fps |
n/a raw/100 JPEG
8 raw/30 JPEG
|8fps (10fps with fixed exposure) |
13 raw/17 JPEG
|Viewfinder (mag/ effective mag)||95% coverage |
|95% coverage |
|96% coverage |
|Electronic OLED |
0.5 inches/ 2.36 million dots
|Autofocus||9-pt AF |
center cross-type to f2.8
|9-pt AF all cross-type; center cross to f2.8||9-pt AF all cross-type; center cross to f2.8||11-pt AF |
center cross-type to f5.6
|11-pt AF |
|15-pt phase-detection |
|AF sensitivity||-0.5 to 18 EV||-0.5 to 18 EV||0 to 20 EV||-1 to 19 EV||-1 to 18 EV||-1 to 18 EV|
|Shutter Speed||1/4000 to 30 secs; bulb; 1/200 x-sync||1/4000 to 30 secs; bulb; 1/200 x-sync||1/8000 to 30 secs; bulb; 1/250 sec x-sync||1/4000 to 30 secs; bulb; 1/200 sec x-sync||1/6000 to 30 secs; bulb; 1/180 sec x-sync||1/4000 to 30 secs; bulb; 1/160 x-sync|
|Metering||63-zone iFCL||63-zone iFCL||63-zone iFCL||420-pixel 3D color matrix metering II||77 segment||1200 zone|
|Metering sensitivity||1 to 20 EV||1 to 20 EV||0 to 20 EV||0 to 20 EV||0 to 22 EV||-2 to 17 EV|
|Video||H.264 QuickTime MOV 1080/30p/ 25p/24p; 720/60p/ 50p||H.264 QuickTime MOV 1080/30p/ 25p/24p; 720/60p/ 50p||H.264 QuickTime MOV 1080/30p/ 25p/24p; 720/60p/ 50p||1080/30p/ 24p; 720/30p/ 25p/24p H.264 QuickTime MOV||H.264 QuickTime MOV 1080/24p/ 25p/30p; 720/ 50p/60p||AVCHD 1080/60p @ 28, 24Mbps, 1080/24p @ 24, 17Mbps, 1080/60i @ 17Mbps|
|Audio||Mono; mic input||Stereo; mic input||Mono; mic input||Mono; mic input||Mono||Stereo; mic input|
|Manual aperture and shutter in video||Yes||Yes||Yes||Yes||n/a||Yes|
|Maximum best quality recording time||4GB/11m||4GB/12 min||4GB/12 min||20 min||4GB/25 minutes||2GB/29 min|
|IS||Optical||Optical||Optical||Optical||Sensor shift||Sensor shift|
|LCD size||3 inches articulated |
|3 inches articulated touch screen |
|3 inches articulated |
|3 inches articulated |
|3 inches fixed |
|3 inches articulated |
|Memory slots||1 x SDXC||1 x SDXC||1 x SDXC||1 x SDXC||1 x SDXC||1 x SDXC|
|Battery life (CIPA rating)||470 shots||440 shots||1100 shots||660 shots||480 (Lithium Ion); 1600 (Lithium)||510 shots|
|Size (WHD, inches)||5.1 x 3.8 x 3.0||5.2 x 3.9 x 3.1||5.7 x 4.1 x 3.1||5.0 x 3.8 x 3.1||5.1 x 3.8 x 2.8||5.3 x 3.9 x 3.3|
|Body operating weight (ounces)||20||20.8||27||19.6||22.9 (est)||22 (est)|
|Mfr. Price||n/a||$849 (body only)||$999 (body only)||$799.95 (body only)||$849.95 (body only)||$899.99 (body only)|
|$799.99 (with 18-55mm lens)||$949 (with 18-55mm lens)||n/a||$899.95 (with 18-55mm VR lens)||$899.95 (with 18-55mm lens)||$999.99 (with 18-55mm lens)|
|n/a||$1,149 (with 18-135mm STM lens)||n/a||n/a||n/a||n/a|
|Release date||March 2011||June 2012||November 2010||April 2011||July 2012||October 2011|
If you're looking for a broad or unusual feature set, this camera will disappoint you: it basically has the baseline set of essential features for a camera in its class. I really miss peaking for manual focus in Live View; it would make focusing with every lens besides the STM model so much easier. It does include the Video Snapshot mode carried over from the camcorders and PowerShots for shooting quick clips.
For a complete accounting of the T4i's features and operation, download the PDF manual.
I liked shooting with the T4i and think most people who get it will probably love it. But that's true of a lot of the cameras in this class -- you really have to try hard to make a bad camera for about $1,000. Comparatively, though, it falls a little short. While some improvements in the camera benefit photographers with older lenses, you really need the new STM lenses to take full advantage of the camera.
On one hand, I really like the 18-135mm lens as a kit option. It offers a good focal range for everyday shooting and it's sharp through the middle aperture ranges. Plus, it's faster at 55mm (f5) than the smaller lens.