Some readers may remember the flickering, old-timey, surprisingly three-dimensional GIFs that made a splash on the Internet back in 2008. Writer and artist Joshua Heineman created them from images of 19th and early 20th century stereoscope cards he culled from a collection placed online by the New York Public Library.
Heineman took the two slightly offset images on a given card, separated them, dropped them into Photoshop, and created animated GIFs that quickly "flipped" from one image to the other, over and over (a technique known as "wiggle stereoscopy").
Now--thanks to that online fame, and to the New York Public Library's push to reinvent itself in the Internet Age--you too can breathe new three-dimensional life into these stereoscopic artifacts.
The NYPL launched its "Stereogranimator" this week (with Heineman providing an interesting introduction). The tool is designed to let users step into Heineman's shoes, sift through the library's archive of historic stereoscope cards (or "stereographs"), and use them to create wiggle GIFs and 3D anaglyphs of their own. (You all know anaglyphs from the adventures you've had with red-and-blue-lensed glasses.) The results can then be shared by way of an embed code, a link to the tool's Web site, or buttons associated with various social-media sites.
It's another example of an effort by a cultural institution to engage a younger audience--and use Web-era technology to explore new territory. (Orchestras and theater companies, for instance,that let the groups interact with Twitter-using audience members and provide real-time annotations to performances.)
The NYPL and its NYPL Labs have taken vigorous strides into this realm, producing iPad apps and crowdsourcing projects, and even inviting game designer to create a game that had 500 players in search of artifacts from the library's collections.
The Stereogranimator is the latest NYPL Labs project, and it's an innovative way to draw a new generation toward the library's holdings and encourage people to use those holdings creatively. It's a little like a game itself: you have to fiddle with your chosen stereograph to get good results with your wiggle GIF or anaglyph (a preview pane lets you gauge your adjustments while you work).
Users, though, might need to be a little patient. During my several brief sessions with the tool, many of the same stereographs kept popping up, despite the fact that there are supposedly more than 40,000 to choose from. Also, judging from Heineman's original project, the cards that did appear weren't necessarily the most compelling in the library's archive, or the ones that best lend themselves to a 3D effect. Perhaps some categories or tags--people, animals, landscapes, streetscapes--would be nice. (That might require a lot of work on the library's part--but it could be baked in as a crowdsourced effort, which would add that much more value to the project.)
There were some mildly frustrating interface issues too. When I clicked away from one batch of cards, for instance, I couldn't go back if I changed my mind (at least I couldn't figure out how to do so). The ability to save individual cards for possible use could be handy.
In any case, one would expect some wrinkles to be smoothed as the NYPL Labs team receives feedback and makes adjustments.
And nitpicks aside, the library's experimentation and outreach efforts are admirable (and impressive), and perhaps--in this day and age--essential.
Give the Stereogranimator a spin (or a wiggle) and use our comments section below to share your, um, perspective on the effort.