Debuting this week at the Slacker is a distinctive new Web music service and portable music player from the San Diego-based company of the same name. Slacker calls its concept "personal radio," based on the idea that a majority of music player owners don't organize or update their music collections as often as they might like because the process is too technical, too time-consuming or both (hence, the "slacker" moniker).in Austin, Texas,
The device-plus-service combines satellite radio, standard portable music player and Wi-Fi-enabled gadget with 10,000 custom music channels that users can tailor according to their taste, covering virtually every possible genre. The end result is essentially portable radio with video instead of audio ads--or, for a price, no ads at all--with content that refreshes automatically based on personal preference.
"The current model being used today is kind of getting a bit long in the tooth--it's a little bit dated," said Jim Cady, president of Slacker and former CEO of Rio, which makes MP3 players. "We started shipping products at Rio in 1998. The model was virtually the same as today: user buys device, figures out how to get content. (Then they) upload it into the device and hopefully they do that on a frequent basis. It's a lot of effort to get what you want."
Slacker built its player and radio service around the company's own proprietary technology that takes advantage of unused commercial satellite signals to send data. After four years, Slacker decided how to monetize the concept.
At first, the company considered a "more satellite-radio-specific (model) as a direct competitor with Sirius and XM," Cady said. "But it morphed into something much broader than that."
The Slacker Web radio service--sans player--will be free to anyone, but supported by video ads. Consumers who purchase the device can opt for the ad-supported free Web service or buy the ad-free premium radio service for $7.50 per month. Prices and memory options for the device won't be announced until closer to the release this summer, but expect it to range in capacity and price (from $149 to $299), and to come preloaded with a variety of tracks. It will have a 4-inch color display on which to view album art, reviews and band bios, and it will support MP3, WMA, WMV and MPEG-4 files.
Later this year, there will also be the option to buy a car kit that uses Slacker's satellite broadcast system.
As with traditional radio, the Slacker music channels are subject to the tastes of DJs. "It's a combination of known tracks and some lesser-known stuff," said Jonathan Sasse, Slacker's vice president of marketing. "But it doesn't go too deep down the discovery path unless you want us to."
To 'heart' or 'ban,' that is the question
That's where the personal part of personal radio comes in: users have "ban" and "heart" buttons that helps to weed out and endorse music on each station. If you're listening to, say, '90s pop and an Ace of Base song comes on, hitting "ban" ensures you'll never hear that song again. Clicking "heart" tells Slacker you want to hear similar music and also saves the song to your personal library. This is also where another of the key distinctions between the free and premium versions comes in: users of the free version can only hit "ban" six times an hour, but can "heart" an unlimited number of tracks.
Furthermore, users of the radio service can republish any of their customized music channels to any blog or Web site. Slacker says it has licensed all music on its service from major record labels. (The company says theThe Slacker portable radio device is also similar to a radio in that a PC isn't necessarily required to update the gadget. The device's content will refresh whenever it syncs up with a satellite or a Wi-Fi signal. dustup that arose last week does not apply to it since Slacker is licensing the music directly from labels and doesn't use terrestrial broadcast signals.)
With its venture, Slacker is homing in on new territory in the digital music space: the intersection of what have thus far been three distinct silos of traditional ad-supported radio, portable music and on-demand content.