Olympus announces midrange E-30 dSLR
The company finally fills the gaping hole in its dSLR product line.
With a price gap of about $900 between the Olympus E-520 and the
First, some key specs:
Canon EOS 50D | Nikon D90 | Olympus E-30 | Olympus E-3 | |
Sensor | 14.7-megapixel CMOS | 12.3-megapixel CMOS | 12.3-megapixel Live MOS | 10.1-megapixel Live MOS |
Color depth | 14 bits | 12 bits | 12 bits | 12 bits |
Sensitivity range | ISO 100 - ISO 3,200/12,800 (expanded) | ISO 100 - ISO 3,200/6,400 (expanded) | ISO 100 - ISO 3,200 | ISO 100 - ISO 3,200 |
Focal-length multiplier | 1.6x | 1.5x | 2x | 2x |
Continuous shooting | 6.3 fps 90 JPEG/16 raw | 4.5 fps 100 JPEG/n/a raw | 5 fps n/a JPEG/12 raw | 5fps n/a JPEG/12 raw |
Viewfinder | 95% coverage 0.95x magnification User interchangeable focusing screens | 96% coverage 0.94x magnification fixed focusing screen | 98% coverage 1.02x magnification fixed focusing screen | 100% coverage 1.15x magnification Mfr. interchangeable focusing screens |
Autofocus | 9-pt AF all cross-type | 11-pt AF center cross-type | 11-pt AF all cross-type | 11-pt AF all cross-type |
Live View | Yes | Yes | Yes | Yes |
LCD size | 3 inches | 3 inches | 2.7 inches | 2.5 inches |
Approximate street price (body only) | $1,399 | $999 | $1,299 | $1,499 |
As with Canon and the 50D, it almost feels as if Olympus is insecure about the audience for this model. Canon introduced its Creative Auto mode, which seems more geared toward the entry-level, and Olympus delivers Art Filters, a set of six effects--Pop Art, Soft Focus, Pale and Light, Grainy Film, Light Tone and Pin Hole--which the E-30 applies during shooting. On one hand, I can understand (in theory) how applying the effects at shot time, where it can simultaneously compensate exposure, white balance, and so on, can help produce a better result than applying effects afterward in software.
On the other hand, it seems like a very entry-level feature. Especially since you can't modify any of the parameters for the effects. Ditto for face detection, which (in my opinion), only exists to make the auto focus-point selection in cameras work properly. But if you're paying $1,200 for a camera body, chances are you're going to learn to use it properly, which means not allowing the camera to choose your subject for you.
While I can see Canon struggling to meaningfully differentiate the 50D from its other dSLRs, since it has so many, Olympus doesn't need to do that. And the irony is, without all the gimmicks--which you can ignore, of course--the E-30 sounds like it might be a really nice camera. It has the same extremely fast AF system as the E-3, which I increasingly appreciate. It also incorporates a flip-and-twist LCD, which makes Live View a lot more useful and which none of its big competitors offer (The similarly priced
Along with the E-30, Olympus is also issuing a refresh for its veteran 14-54mm lens. The Zuiko 14-54mm II f2.8-3.5 (28-108mm equivalent) retains the dust- and splashproof construction for pairing with the E-3 and adds improved contrast AF performance (for Live View focusing); a switch to a circular aperture design, which we're seeing quite a bit of, for better bokeh; and the ability to focus closer than 3 inches (down from 8.7).
The E-30 and lens are slated to ship in January 2009. The body will have an estimated street price of $1,299 and the lens will cost about $599.