In Japan, robots are people, too

"Loving the Machine" author Timothy Hornyak looks at why the Japanese see a friendly face in the dawning era of robots. Photos: The friendly faces of Japanese robots

In Japan, robots are more than mere gadgetry--they're practically family.

Unlike the U.S., where the icons of a dawning era of robots tend to be either the faceless, Frisbee-shaped, floor-scrubbing Roomba or the killing machines of the "Terminator" movies, the consensus on the other side of the Pacific tends toward cuddly animals and small children. It was Japan, after all, that gave the world the puppylike Aibo, the toddler-size Asimo and the cartoon figure of Astro Boy.

And it's Japan where the government is making a big push to have, within the next decade or so, a corps of nonthreatening robots ready to assist in office tasks, housekeeping and elder care. Colin Angle, the CEO of Roomba maker iRobot, cites estimates of 39 million household robots there by the end of the decade.

In a new book called "Loving the Machine: The Art and Science of Japanese Robotics," journalist Timothy Hornyak delves into the reasons behind the country's fascination with friendly, humanoid machines. The roots stretch from 17th-century novelty items on through Japan's pacifist reaction to the atomic bomb blasts of World War II.

Hornyak, a Montreal native who's been in Japan since 1999, recently spoke with CNET while traveling through New York to promote the book. He shared his observations on Japan's robot culture, past and present, and on the challenge of building his own robot. (To see a photo gallery of the robots mentioned in this interview, .)

Q: The basic premise of your book is that there is something different about the way the Japanese approach robots. Do you want to elaborate on that to get us started?
Hornyak: There is a major difference in the way Japanese have approached robots. They are far more interested in making robots into partners for human beings. They are very successful at combining engineering and design in robotics. The result is that the robots, particularly the humanoids, end up seeming a lot more like living beings instead of just buckets of bolts. It's much easier to believe that they are coming to life, and it's much easier to have empathy for them--because they are so much like us, we feel a sort of irresistible urge. Japanese, particularly, feel an irresistible urge to treat them like fellow beings instead of just lifeless automatons.

Whereas in the U.S. or Europe there is a kind of Frankenstein tradition, where created beings are monsters or dangerous somehow.
Japanese robots Hornyak: That's right. Certainly philosophies in the U.S. and Europe regarding robots harken back to the old archetype of Mary Shelley's book--also, in the 1920s, Karel Capek and his play "R.U.R." in which robots are perfected as the ideal worker, but whoops, they go wonky and they kill every single human being on the planet except for one last guy. The net effect of this seems to be not only wariness about robots coming to life, but you look at some of the robots here, and they are almost purposefully designed not to look humanoid.

In your book you talk about some of the ways that the Japanese relationship with robots developed. What is it in the traditional karakuri dolls that stands out, making them precursors of robots, a friendlier sort of device?
Hornyak: The karakuri dolls of the Edo period in Japan, 1600 to 1868, were specifically designed as automatons, entertainers. I mentioned in the book the example of the tea-serving doll, which was really a nifty conversation piece. If you were wealthy back then, you could receive a guest in your home, kneel down on the tatami mats with him, you would whip out your handy-dandy karakuri tea-serving doll, put a cup of tea on it, it would scoot over to the guest, he'd drain the cup and then it would autonomously not only stop, but it would do a 180 after the teacup is replaced on its tray and go back to the point it came from.

What is also really relevant to the robot tradition in Japan is the other form of karakuri, which are the stage or float karakuri. They look like Spanish galleons--they are just incredible, these wooden floats that are elaborately carved, being paraded throughout the town, and the puppet shows that are performed on these things. What's interesting is that the automatons seem to move by themselves under their own power, swinging through trapezes, doing elaborate somersaults and that kind of thing, doing costume changes. I saw these shows, and I was just amazed at how surprisingly independent and lifelike some of these wooden dolls were.

Let's talk now about the modern stuff. You've said that the emphasis in Japan is on cuteness and entertainment, and one thing you point out in particular is the Paro robot, the seal, which is all about cuteness as far as I can tell--the Ifbot as well.
Hornyak: That's right. An important thing to understand about these kinds of robots is the demographic problem in Japan--the population is shrinking. One-third of people (are expected to be) over 60 by 2050, I believe, (in a country) with very low birth rates, very few immigrants, and so the net result is there are no workers coming in to fill the shortage in the work force. Engineering a solution to this in the form of robots is being embraced by not only the population, but the government.

I spoke to a roboticist the other day who said he was traveling in Northern Japan on a train and struck up a conversation with a lady who was over 60, and she asked him, "So what do you do?" and he said "I'm a roboticist." And she said, "Oh, I'm really looking forward to the time when robots are going to take care of me." That was just a random encounter on a train, and it shows you that the people are looking forward to it--some people are, anyway. Meanwhile, the government is making concrete plans to prepare for adding robot (caregivers) to the work force, in a nongovernmental consortium involving Tokyo University and seven companies. They have concrete plans to develop robots that by the year 2008, will be capable of straightening up rooms; by 2013, they will be able to make beds; and by 2016, they will be able to .

Not only do Japanese have a love of robots, they have a practical need of robots.

Now, you mentioned Paro and Ifbot--the therapy and the companion robot, which are not able to do things like practical chores, but they are able to fulfill an emotional need. You read articles about lonely old widows who are living in farms out in the rural countryside of Japan--there was one lady who has an Ifbot, I believe, saying how happy she is, because when she comes home from the field late at night she can chat with her Ifbot and it makes her feel good. Paro has been shown, meanwhile, to fulfill a need of reducing stress in patients and old folks homes. The important thing to understand about this aspect of robots in Japan is that not only do Japanese have a love of robots, they have a practical need of robots.

So the government is taking a leading role, actually trying to make this development happen.
Hornyak: Absolutely. Japan's Ministry of Economy, Trade and Industry has recently set aside $17 million to support the development of intelligent robots that can make their own decisions in the workplace. It wants to advance artificial intelligence technologies so that these robots can be introduced into the marketplace by--2015, I think, is their goal. Meanwhile, (a variation on) Asimov's three laws of robotics. Robots will have to have obstacle sensors to be able to see if they're going to hit anyone. They're going to have to have soft materials on their exterior so that if they do impact with a human they won't damage that person excessively. And No. 3, they want to have prominent kill switches on the robot, like a really big off button, so you can just slam that and the robot will stop from treading on your foot. These are going to be aimed at robots in the workplace and robots in living spaces, too.

Do you have a sense of how many household robots are there in Japan?
Hornyak: The number of household robots remains low, but it's expected to grow like crazy. One of the biggest chunks of that would be , which sold over 200,000 units, mainly in Japan.

Featured Video

How Pixar created the world of 'The Good Dinosaur'

Pixar's upcoming new film imagines what it would have been like if dinosaurs never became extinct.'s Lexy Savvides reports on how real-world data helped make the movie's prehistoric landscapes look incredibly authentic.

by Lexy Savvides