Canon PowerShot G12 = G11 + 720p
Canon updates its popular G series model with HD video capture.
There's not much to say about Canon's update to its G series of enthusiast compact cameras: the PowerShot G12 is almost identical to its predecessor, the G11, but with similar enhancements to those rolled out in the S95. Most notably, the G12 includes 720/24p video capture--a much-needed boost over the outdated VGA movies--now with stereo audio and a Mini-HDMI connector.
Like the S95, the G12 also adds an HDR scene mode which combines 3 shots. Unlike some other implementations, however, it requires the steadiness of a tripod.
Here's a recap of its specs and competitors:
Canon PowerShot G12 | |||||
Sensor (effective resolution) | 10-megapixel CCD | 10-megapixel CCD | 10-megapixel CCD | 10-megapixel CCD | 10-megapixel CCD |
1/1.7-inch | 1/1.7-inch | 1/1.7-inch | 1/1.7-inch | 1/1.63-inch | |
Sensitivity range | ISO 80 - ISO 3200 | ISO 80 - ISO 3200 | ISO 80 - ISO 3200 | ISO 100 - ISO 3200/6400 (expanded) | ISO 80 - ISO 3200 |
Lens | 28-140mm 5x | 28-140mm 5x | 28-105mm f2-4.9 3.8x | 28-200mm f2.8-5.6 7.1x | 24-90mm f2-3.3 3.8x |
Closest focus (inches) | 0.4 | 0.4 | 2.0 | 0.8 | 0.4 |
Continuous shooting | 1.1fps frames n/a | 1.1fps frames n/a | 0.7 frames n/a | 1.1fps n/a | 2.5 fps JPEG/n/a raw |
Viewfinder | Optical | Optical | None | Optical | Optional OVF or EVF |
Autofocus | n/a Contrast AF | n/a Contrast AF | n/a Contrast AF | 99-area Contrast AF | 23-area Contrast AF |
Metering | n/a | n/a | n/a | 256-segment matrix | n/a |
Shutter | 15-1/4000 sec | 15-1/4000 sec | 15-1/1600 sec | 60-1/4000 sec | 60-1/4000 sec |
Flash | Yes | Yes | Yes | Yes | Yes |
Hot shoe | Yes | Yes | No | Yes | Yes |
LCD | 2.8-inch articulated 461,000 dots | 2.8-inch articulated 461,000 dots | 3-inch fixed 461,000 dots | 3-inch fixed 921,000 dots | 3-inch fixed 460,000 dots |
Image stabilization | Optical | Optical | Optical | Optical | Optical |
Video (best quality) | 30fps VGA H.264 QuickTime MOV Monaural | 720/24p H.264 QuickTime MOV Stereo | 720/24p H.264 QuickTime MOV Stereo | 720/24p H.264 QuickTime MOV Stereo | 720/30p AVCHD Lite Monaural |
Manual iris and shutter in video | No | No | No | n/a | Yes |
Optical zoom while recording | No | No | Yes | Yes | n/a |
Mic input | No | No | No | Yes | No |
Battery life (CIPA rating) | 390 shots | 390 shots | 220 shots | 350 shots | 400 shots |
Dimensions (WHD, inches) | 4.4 x 3.0 x 2.0 | 4.4 x 3.0 x 2.0 | 3.9 x 2.3 x 1.2 | 4.1 x 2.4 x 1.2 | 4.3 x 2.6 x 1.7 |
Weight (ounces) | 14.5 | 14.5 (est) | 7 (est) | 8.5 (est) | 9.8 (est) |
Mfr. Price | $499.99 | $499.99 | $399.99 | $499.95 | $440 |
Availability | October 2009 | October 2010 | August 2010 | September 2010 | August 2010 |
So the real question is, does this relatively minimal update improve the G12 sufficiently to keep it competitive against models like Nikon's completely revamped P7000 and the strongly positioned but less expensive LX5? It's an interesting call. The G12 has the longer zoom range, articulated LCD, stereo audio and easier-to-work-with QuickTime MOV video over the LX5, but the latter has a wider, faster lens and both it and the Nikon have the ability to zoom during movie capture. Plus the LX5's new sensor's photo quality is a wildcard. And while the P7000 has the longest zoom range of the group, that could backfire on Nikon if it turns out to be mediocre. And of course these models also have to deal with their fan base jumping to similarly specced but smaller and cheaper ultracompacts like the S95 and