For Photokina, the Japanese lensmaker announces it's brought image stabilization to two lenses geared for full-frame SLRs. They'll work on Canon, Sony, and Nikon cameras.
As full-frame SLRs spread, high-end but not top-end lenses become more important. Nikon just announced a promising new telephoto -- and it's got next-gen vibration reduction, too.
Versatile, sturdy, and built with high-quality optics, the Sigma APO 70-200mm F2.8 EX DG OS HSM offers a good value, although it's not exactly cheap.
Pricing not available
The revised 18-200mm f3.5-6.3 macro lens sports the same fit and finish as Sigma's latest models.
"Love Is Now" is an Australian feature film shot entirely on dSLRs. The director of photography describes the process and offers tips for would-be filmmakers.
An absolutely breathtaking timelapse comprises several months worth of stormchasing severe weather across the Great Plains of America.
Under CEO Kazuto Yamaki, Sigma has helped transform the Japanese company so most of its revenue comes from higher-end products. Too bad about the camera business, though.
Samsung shows its serious side by introducing a pro staple lens: a fast intermediate telephoto.
Pros and enthusiasts in the US can rejoice that many of Canon's SLR lenses are a notch less pricey now. Better exchange rates might deserve some of the credit.
As befits its price, the supertelephoto lens delivers superb optical quality on top of an unusually flexible design. Here's a look at some of what it offers.