Obviously, 3D projectors are the hot products right now, but you'll note that this is a 2D-only projector. If you're in the market for 3D and looking to add Panasonic to your comparisons, check out.
Panasonic's entry-level projectors have earned our esteem over the years, whatever year we happen to be in. Ever since the company introduced the dynamic iris in the early years of the last decade, it has allowed affordable projectors to produce decent image quality.
Panasonic has long been an LCD house when it comes to projectors, so the engine of this one uses three full HD LCD panels. It scores a high-powered (280 watt) lamp, which Panasonic says is capable of delivering 2800 lumens, which is pretty bright. It also offers a lower output "Eco" setting.
The projector has a wide zoom range of 2:1 and a lens-shift feature, which is manipulated by means of a joystick on the unit's front. This worked smoothly, so it was quite easy to get the image properly aligned with the projection screen.
A full set of inputs are provided, covering all standard analog-style connections, plus two HDMI sockets. There are two triggers for system control, and these can be set to either start other equipment or respond to an external trigger signal by switching on.
The projector had been used by others before me (the lamp indicator showed 8 hours), and we couldn't find a factory reset, so we cannot be certain how it comes new in the box, or comment on the default settings.
During set-up one thing soon became clear: the panel alignment of this projector was absolutely perfect. Having adjusted the focus, I went up to the screen to check that the pixels were well defined, and found that they were perfectly defined. Usually, there is a very slight variation between the red, green and blue panels. Not enough to produce fringes on one of the primary colours, but enough to soften the edges of the pixels. But this projector could just as well have been a single-chip DLP with high-quality optics, with each pixel precisely square.
Of course, sitting back down 2.7 metres from the screen (obviously, a bit closer than would normally be recommended, but we have to push the limits of things in this job), those edges had softened into creating a smooth image.