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Panasonic has redesigned one of its top-end interchangeable-lens cameras (ILCs), giving it a more streamlined look in line with its range of superzoom models.
Design and features
The G5 has been blessed with good looks and good ergonomics, making it a tempting proposition for any photographer looking at a higher-end ILC. A smooth grip lets the camera sit comfortably in the right hand, while the thumb can easily reach around and adjust settings with a range of buttons down the back panel.
A 3-inch 920,000-dot touchscreen flips out from the camera body, and can rotate around its side hinge. The G5 has an automatic sensor that switches between the screen and viewfinder when it detects that your eye is raised to the correct position.
The touchscreen has an interesting feature for those who like to pinpoint focus selection using fingers. Either when using just the screen or through the electronic viewfinder to compose a shot, simply touch around the screen to select your target anywhere around the frame.
A full suite of manual exposure controls are available from the mode dial, while fine tuning is done with the rear rotating dial. Turn it to get aperture adjustment, or click and turn it for shutter-speed control.
For photographers who are not quite ready for the world of manual, Panasonic provides intelligent automatic mode. Press the dedicated button at the top of the camera and away you go. When a power zoom lens is attached to the camera, the lever at the top can be used to control the zoom mechanism, rather than having to reach around for one on the barrel itself.
There is also a scene guide for beginners, which has a collection of 23 photos taken by professionals. Select the photo that most closely emulates the scene you want to take a photo of, and the camera will automatically set everything up for you. If this isn't enough to play with, there are a range of colour modes to add effects like soft focus, monochrome, cross-process and toy camera to your images.
Adjacent to the pop-up flash is a stereo microphone for recording audio, which is all the sound control you get. There's no external microphone jack supplied for attaching an external mic.
Full HD video recording at 50p is available in AVCHD, which is an upgrade from the interlaced offering on this camera's predecessor, the. The G5 also comes with an electronic shutter, which allows for near-silent shooting in situations where noise isn't tolerated.
|Panasonic Lumix G5|
|20.3-megapixel APS-C CMOS sensor||16-megapixel Four Thirds Live MOS sensor||18-megapixel APS-C CMOS sensor||16-megapixel Four Thirds Live MOS sensor|
|3-inch articulating AMOLED screen||3-inch flip-down OLED touchscreen||3-inch flip-down LCD screen||3-inch articulating LCD touchscreen|
|Full HD video (1080/25p)||Full HD video (1080/60i)||Full HD video (1080/24p)||Full HD video (1080/60p)|
|15-point AF||35-point AF||31-point AF||23-point AF|
General shooting metrics (in seconds)
- Start-up to first shot
- JPEG shot-to-shot time
- RAW shot-to-shot time
- Shutter lag
Panasonic Lumix G5
Nikon 1 V1
(Shorter bars indicate better performance)
Continuous shooting speed (in frames per second)
Panasonic Lumix G5
Nikon 1 V1
(Longer bars indicate better performance)
The G5 has a number of continuous shooting modes. Both SH and H modes disable Live View while shooting. In SH mode (JPEG only, electronic shutter), the camera takes a burst of 40 images at 15 frames per second before stopping to process them. In H mode (JPEG) the G5 takes 8fps and slows to process the burst after 12 frames have been taken. Both M and L modes keep Live View active during shooting, but slow the frame rate down.