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The Panasonic HC-X900M certainly lives up to the high standards set by Panasonic in the past, in terms of video quality and design. However, if we put the 3D feature aside, the device is simply an improved version of Panasonic's older models, and not improved enough to warrant the price of an upgrade. Considering the fact that this new device is the top-of-the-line model for Panasonic, it does not live up to the role of a flagship. We were left puzzled over the benefits of purchasing this particular Panasonic camera, when the slightly lower HC-V700 is promoted as having similar features for far cheaper.
Design and features
This Panasonic camera has a simple, smooth body that sits quite heavily in the hand to make it seem professional. Unfortunately, this means that the design is, in a word, boring. While this is perfect if you want to look "serious", it's not earning points for its aesthetic appeal. In addition, the optional 3D lens attachment destroys any chance the camera has of looking good, as it reminded me of the shape of a miniature elephant.
The Manual Ring is a typical high-range Panasonic feature, which we're pleased to see making another appearance. As far as we're concerned, the more manual controls available the better. While this feature is certainly not new, and most users are likely to keep the controls on auto, for a "leading" Panasonic camera, it's nice to be able to dabble with more professional manual options.
There is nothing innovative about the menu or touchscreen on this new device. Panasonic has refined the control features, and it's good to see the company sticking to this highly effective and simple menu system.
The OIS (Optical Image Stabilisation) lock — a button that is available for optional image stabilisation — is a useful feature seen in other Panasonic cameras. When testing this feature, we were impressed with the high level of stabilisation produced in terms of the video quality.
You might wonder why you would ever need to turn image stabilisation off, but having the option is a nifty addition if you're using a tripod. When switched on, the image stabilisation does not quite reach the quality produced by higher-end Sony cameras, but it is still very impressive to see the improvements in this area across the market.