Targeted towards enthusiasts, high-level amateurs and photo hobbyists, the E-30 finally fills the hole in the Olympus dSLR line-up between the entry-level E-420 and cameras, and the high-end, professional E-3. For the body only, expect to pay a price of AU$1,799. Throw in the new 14-54mm kit lens and the price will put a dent in your pocket to the sound of AU$2,219.
If you've held any of the previous iterations of Olympus cameras, you'll feel right at home with the E-30. Button configuration, textures and layout all remain similar to the E-520. Its stature is just a little smaller than the E-3 as the prism hump is slightly reduced, and the body itself is lighter at 655 grams.
Compared to its competitors, it is smaller than both Canon's 50D and Nikon's D90 by a fraction; this is also helped by the E-30's four thirds system which is standard on the company's dSLRs.
One of the most striking features of the E-30 is the free-angle LCD screen which can be rotated to sit against the back of the camera, facing outwards. We like it a lot more than similar versions that have popped up on other dSLRs like Sony's alpha series.
Flanking the screen on the right-hand side are the standard playback buttons and navigation keypad, and underneath sit a host of additional buttons including live view.
Housing a new 12.3-megapixel Live MOS sensor and a free-angle, rotating 2.7-inch LCD screen, the E-30 has clearly taken cues from many of the trends currently affecting the dSLR and compact camera market.
Of most interest to us, though, is this new feature called Art Filter. Essentially, it's a set of six preset modes which you can access through the Art/Scn option on the mode dial, and includes such options as film grain, pop art, and pinhole. It applies a range of effects to your image in-camera, rather than during post-processing, and although it might seem a bit gimmicky at first, in practice it's actually a whole lot of fun. Scroll down for some pictures of these modes in action.
The other intriguing functionality is how the E-30 supports multiple exposures. Rather than fiddling around with separate images in post-processing, the camera will automatically merge up to four frames together, in-camera.