Design and features
Cameras with a lengthy optical zoom to their name — we call them superzooms — are often bulky creatures. Lumbering back and forth from photo opportunities on an adventurous sojourn, superzooms don't often get to be described with the tag "petite".
Here we have the Canon PowerShot SX500 IS, which bucks the trend of bulk and weight, instead positioning itself as a compact device with 30x optical zoom that can sit comfortably in the palm of your hand.
Behind the lens sits a 16-megapixel CCD sensor, and, as you may have already guessed, the IS tag in the product name denotes image stabilisation.
The 3-inch screen possesses a resolution of 460,000 dots, about average for cameras of this class. A 24mm wide-angle lens means you can cram more scenery and vistas into your shots. At the top of the camera body is a small pop-up flash, which needs to be pulled up into position by the photographer, alongside a power button and mode dial housing all of the main controls.
The dial gives access to full manual controls — Program, Aperture, Shutter and Manual exposure — as well as automatic, scene modes, creative effects, discreet mode for quiet shooting and movie mode. Down the back panel is also a dedicated video-record button, as well as a directional pad and control ring for tweaking settings like ISO, flash and self-timer.
The simple, uncluttered top panel and mode dial on the SX500 IS.
The SX500 IS uses a rechargeable lithium-ion battery, and comes with a neck strap and lens cap in the box.
General shooting metrics (in seconds)
- Start-up to first shot
- JPEG shot-to-shot time
- Shutter lag
- 18.104.22.168Canon PowerShot SX500 IS
(Shorter bars indicate better performance)
Continuous shooting speed (in frames per second)
- 0.8Canon PowerShot SX500 IS
(Longer bars indicate better performance)
Canon rates the battery at 195 shots.
For general photographic situations and shooting in ample lighting, the SX500 IS produces perfectly acceptable shots. Colour rendition is good on default settings, and dynamic range is surprisingly good. However, there are a few things to look out for along the way, including some lens issues.
The lens exhibits a fair amount of purple fringing on high-contrast areas. While it's something that can be resolved in post-processing to some extent, it's still desirable to minimise it in-camera. Also worth noting at this stage is that the SX500 does not shoot in RAW, just JPEG.
When shooting in bright situations or direct sunlight, the screen becomes very difficult to see. This is something that plagues many cameras, but many get around it by offering an electronic viewfinder. Unfortunately, due to the price and positioning of the SX500, it misses out on this feature.