wilson audio

At the end of the 1960s it looked like transistors had completely replaced vacuum tubes for hi-fis, musicians' amplifiers, recording gear, etc., but then a handful of American high-end companies began designing new tube components. Audio Research was in the vanguard of the movement, and is still crafting electronics coveted by audiophiles across the globe. During my recent visit to the Audio Research factory in Plymouth, Minn., I spent some quality time listening to its least expensive integrated amplifier, the VSi60.

As high-end amplifiers go, the VSi60 isn't very big--it measures 14 inches by 8 inches by 16 inches--and … Read more

Speaker designers are fascinating people, and each one has his or her own unique perspective and priorities. Some are "pure" engineers, and spend most of their working life in front of a computer; others test and measure their designs, but invest countless hours listening to prototypes.

I recently interviewed Dave Wilson, founder and chief engineer for Wilson Audio Specialties for The Absolute Audiophile magazine. Wilson Audio is the high-end audio equivalent of Ferrari; the Provo, Utah,-based company makes ultra-high-performance speakers for the most demanding audiophiles and music industry professionals. Warner Brothers, Pixar, Disney, and CBS/Sony are all Wilson customers.

Q: The greatest challenge is making highly accurate speakers that still sound good with less-than-stellar recordings. Accuracy can't be the only design goal. Wilson: Right, it's like designing a car for sports car enthusiasts, and developing it entirely on a smooth racetrack. You find that if you take out all of the suspension compliance, the car performs better and lap times go way down, so it's great on the track, but it will be hell to drive on a real road. [In audio] a lot of people use "accuracy" as a pejorative, meaning the sound is bright, forward, or lean in the lower midrange; so it emphasizes high-frequency detail at the expense of the music's body and soul.

So the art of speaker design is all about preserving accuracy without losing musicality. Wilson: The speaker needs enough resilience and latitude to sound great with all types of music. As our designs have improved over the years they have become more tolerant of imperfect recordings. It should just sound right.

That's exactly what I thought when I heard your new speaker, the Sasha. It's highly resolved and it's still very easy to listen to. Your designs of the last few years have more curves and fewer hard edges than before; do I see a Ferrari influence in the Wilson aesthetic?… Read more

I've been an audiophile for more than 30 years, and from where I stand there's never been a more exciting crop of high-end speakers to choose from. The goal--to make as lifelike a sounding speaker as possible--is exceedingly difficult, but that hasn't stopped a slew of very talented designers from trying. This top-10 list was created without price constraints and is presented in no particular order; the speakers are all exceptional performers (prices listed are for pairs of speakers). They are all currently available models, but I will soon do another top-10 list of the best speakers of the 1950s, '60s, '70s, and '80s.

I did the first "Top 10 greatest audiophile speakers" blog post last year, with a self-imposed price limit of $3,500 per pair (two were under $1,000). Most models are still available, so if you're looking for affordable options, please refer to that list. All of the companies on today's list offer less expensive models.

Hansen Audio Prince V2. This speaker's handsome curves and strong physical presence demands respect--it all but shouts "this is very serious audiophilia"--it's made for those rare souls who would appreciate a world-class speaker small enough to fit in an apartment, with floors strong enough to support the 540-pound weight of a pair of these $39,000 beauties. For my money it's better than Wilson Audio's highly regarded Watt/Puppy speaker.

Naim Ovator S-600. Britain's Naim Audio Ltd. is best known for its amplifiers and CD players, but this new speaker breaks a lot of rules and sounds less like a box speaker than anything on the planet. With super-tight bass, uninhibited dynamic punch, superlative midrange tone, and pure treble, the S-600 is a strong contender on a number of fronts. At $10,450 it's priced near the low-end for today's state-of-the-art speakers. Review to come.

Anthony Gallo Acoustics Reference 3.5. A radical update of the Gallo Reference 3.1, with new drivers; the small, 35-inch tall floor-standing speaker projects a huge soundstage. The cast aluminum and stainless steel design feels remarkably solid. Sonically, the Reference 3.5 has the ease and poise of a much larger and more expensive speaker. At $6,000 the Reference 3.5 is the most affordable speaker on this list and offers more than a glimpse of state-of-the-art audio. Sounds great with low-power amplifiers; review to come.

B & W 802 D. Another English contender, and this one's loaded with interesting design tricks, including a synthetic diamond tweeter. The form-follows-function design is drop-dead gorgeous. B & W's top models are favored by audiophiles and recording studios. $15,000.

Wilson Audio MAXX Series 3. More than any other company Wilson Audio dominates the upper-end speaker market. Its held that position for more than 25 years, and now with this 5-foot, 7-inch-tall, 425-pound bad boy, there's no sign that reign will end anytime soon. So sure, the MAXX 3 is brute-force powerful, capable of producing "live" sound volume, in the largest rooms or mansions. That said, the MAXX 3 also plays quiet music with beguiling refinement. It's what any demanding (and wealthy) audiophile would expect a $68,000 speaker to sound like. BTW, the MAXX 3 isn't Wilson's most expensive speaker, not by a long shot. … Read more

My pal Dave Clark, editor at Positive Feedback Online, took a lot of great pictures at CES 2010. After the jump, see but a brief sampling from his Web site.… Read more

Wilson Audio Specialties didn't invent high-end speakers, but its original WATT speaker, introduced in 1986, changed the rules of the game.

Up to that point, state-of-the-art speakers were all large beasts, but the WATT was a comparatively tiny stand-mounted speaker. Its distinctive pyramidal shape went on to spawn countless imitations.

The WATT was soon joined by the matching Puppy (woofer), and over the ensuing decades the two-piece WATT/Puppy system evolved, culminating in the WATT/Puppy 8 in 2006. Well over 15,000 WATT/Puppys have been sold since 1986, but rather than move to the W/P 9, founder David Wilson decided to start afresh, so now we have the Sasha W/P ($26,900/pair).

Wilson Audio Specialties' director of sales, Peter McGrath, came to New York City to present the Sasha W/P to the press at Wilson dealer Innovative Audio last week. The new speaker's sweeping curves and refined shape make for the best-looking Wilson speaker of all time. … Read more

America may not make world-class cars anymore, we don't build plasma TVs, or iPods, cameras, or all that much technology of any sort, but in high-end audio, we rule!

Come 2009 I'd love to see the best of the best American audio installed at the White House. The sort of system that the President could, after a hard day's work solving the world's problems, use to kick out the jams with a few James Brown or Parliament-Funkadelic tunes.

I'll volunteer my services to assemble such a system (donated by the manufacturers), with the following components:… Read more

Back in the day, we built great cars and the best TVs. And our advanced engineering was the envy of the world.

That was a long time ago. Today "world-class" design and manufacturing is mostly sent off-shore to Europe and Asia. American companies market and distribute products made somewhere else. According to American Economic Alert, the U.S. has imported $250 billion worth of goods and services more than we exported so far this year.

High-end audio is one area where made in America products are still truly world class. While the major brands like Audio Research, Ayre, … Read more

Stereophile magazine's excellent coverage of the high-end audio scene at CES '08 at the Venetian Hotel has kept me on the edge of my seat since Monday. So many great new products, from old and new companies say a lot about the thriving, worldwide audiophile market. I've picked five products to show you, but Stereophile's site has dozens of really cool sightings.