vpi

DENVER--The Rocky Mountain Audio Fest, held in Denver, was a must-see event for audiophiles young and old. The biggest change this year was a bonanza of affordable high-end products -- mixed in with the usual crazy expensive gear -- along with a good helping of midpriced goodies.

Music Hall had a rather plain-looking little monitor speaker, the Marimba ($349 a pair), that sounded big and truly powerful. I have never heard that level of bass "slam" coming out of such a diminutive speaker; I can't wait to get it in for review.

Woo Audio's stunning new … Read more

Face it, most of today's shiny new gizmos will be hopelessly out-of-date in a few years and taking up space in landfills not so long after that. The iPhone 5 may be a marvel of engineering and marketing genius, but like iPhones of years past it's doomed to be cast aside when legions of Apple fanboys and girls stand in line to buy the iPhone 6 sometime next year. And so it goes.

Four years ago I wrote about my friend Gene and his Linn LP 12 turntable, the one he bought 30 years earlier.… Read more

By the late 1960s everyone assumed solid-state gear would soon replace tube electronics, but here we are in 2011 and tubes are still here. Rock and blues guitar players still crave the sound of tube guitar amplifiers, and a significant number of audiophiles are die-hard tube fans.

While tube amps don't measure as well as their solid-state counterparts, some people feel tubes more faithfully reproduce the sound of voices and real instruments. As always, opinions about sound quality don't necessarily correlate with by-the-numbers assessments. We like what we like.

I was curious to hear one of Eddie Current's … Read more

Panasonic Technics' direct-drive (no belt) turntables have been DJ favorites since the 1970s. The blogs are abuzz with the news that Panasonic will cease Technics production this year. If it's true that Panasonic is completely out of the turntable business, that would be a shame.

That said, direct-drive turntables never really caught on with the audiophile crowd; we prefer belt-drive models. You see, the direct-drive motor's high torque instantly gets the platter up to speed from a dead stop, which is why Technics 'tables were prized by DJs.

But the powerful motors transmit whatever noise and vibration they … Read more

You don't see the phrase "world-class" associated with American-made consumer goods. TVs, iPods, computers, and cameras are mostly designed and built in other countries. The U.S. may be the world's leading consumer state; we just don't make the very best products here anymore.

High-end audio may be one of the few remaining industries where America still designs and builds the very best products. I'm proposing an all-American hi-fi system that could be installed in the White House. It would be the sort of hi-fi the president could, after a hard day's work … Read more

Sound & Vision magazine's Michael Trei recently tested three turntables: the Rega Research P1 ($395), Music Hall mmf 2.2 ($449), and Technics SL-1200MK2 ($699). And guess what: the most expensive turntable wasn't the best-sounding one!

Mike's an old friend and a major turntable guru in his own right. His knowledge of all things analog runs deep, and he regularly sets up finicky high-end turntables for the rich and famous, including the president of a major record company, here in NYC. Mike set up the VPI Classic turntable I bought last year.

The three turntables covered in his report, the Rega, Music Hall, and Technics are all excellent, but I was more interested in the belt vs. direct-drive aspect of the reviews. The Technics is a long standing DJ favorite, for its powerful, direct-drive motor, which is a big plus when you're back cueing and scratching records. Direct-drive 'tables never wowed the high-end crowd, they favor belt-drive turntables. The appeal is mostly based on the fact that the belt "decouples" the motor from the platter. So whatever noise and vibration the motor makes as it spins aren't directly transmitted to the platter, and therefore to the record. No wonder the vast majority of turntables sold to audiophiles are belt-drive designs.

Mike may be a hard-core audiophile, but he's not closed-minded about direct-drive turntables, and in fact owns a Technics direct-drive turntable (and many belt-drives as well).… Read more

Vinyl is back, big time, but the fact is most folks, probably close to 99 percent of the under 40-set, haven't heard records.

For them, music is about portability and vinyl is a stay-at-home deal. Vinyl has more of a hands-on work ethic: you've got to cue the tonearm, lower the "needle," and when the side's over, turn it over or play another LP. Digital requires almost nothing from you; no wonder it's dominated the music scene for the last couple of decades.

Me, I'm having something of a vinyl fling right now. I've always owned a turntable, but there were times I played only CDs for months on end. I guess I didn't want to deal with the extra work of playing vinyl. Sad, but true.

As for LP vs. CD comparisons, I didn't do any. Trust me, you don't have to be a golden-eared audiophile to notice the two formats sound very different. Records are "warmer" and sound more like the sound of real instruments and voices; CDs almost always make them more detailed and brighter-sounding than they are in real life. … Read more

Women sometimes buy quality audio, but that doesn't make them audiophiles.

With rare exceptions, all the audiophiles I've known are men. The unifying mantra for audiophiles is that there's always something, maybe an amplifier or speaker just out a reach that might get them a little closer to the music. Audiophiles are gear junkies. They want to have Aretha Franklin or the New York Philharmonic or their favorite music sound like it's in the house. Audiophiles crave an emotional, visceral connection with their music.

That pretty much sums up Margery Budoff's audiophile urges. Like most audiophiles I know, Margery had an unusually strong affinity for music at a young age. She described herself as "A child musician with an industrial design fetish." Even as a little kid she loved the look of stuff, especially older, big and clunky 1950s and 1960s record players.

The first record Margery bought was "Telstar," then Dionne Warwick, then the Rolling Stones. The record player was the thing that could "Decipher the secret code encrypted in the records. I wanted to hear the sound in all its glory. That's how I became an audiophile."… Read more

America may not make world-class cars anymore, we don't build plasma TVs, or iPods, cameras, or all that much technology of any sort, but in high-end audio, we rule!

Come 2009 I'd love to see the best of the best American audio installed at the White House. The sort of system that the President could, after a hard day's work solving the world's problems, use to kick out the jams with a few James Brown or Parliament-Funkadelic tunes.

I'll volunteer my services to assemble such a system (donated by the manufacturers), with the following components:… Read more