monster turbine

CNET Audiophiliac Steve Guttenberg joins us for another Friday episode of The 404, and there's a lot to discuss, including a new trailer for the upcoming "Back to the Future" video game, Steve's encounters with John Lennon, Andy Warhol, and Warren Beatty in the 1970s, how to convert stereo into 3D sound, and more earbud advice for Wilson's freakishly small canals.

Steve tables his usual list of audio-related speaking points to tell us about his celebrity encounters while working at an East Village movie theater in the 1970s. He begins with a story about an awkward encounter with John Lennon and Yoko Ono just two years after the Beatles split, then tells us why he cussed out pop art star Andy Warhol, and finishes with a brutal rebuff from Warren Beatty! When's the book coming out, Steve?

We're going to record a special yuletide episode of The 404 entirely dedicated to the "Back to the Future" trilogy, but we can't wait any longer to show you the debut trailer for the upcoming "Back to the Future" video game!

It's a five-part game that picks up on the adventures of Marty and the Doc as voiced by Emmett Brown himself, Christopher Lloyd! The first part entitled It's About Time comes out this month, part two called Get Tannen! comes out in February 2011, and parts three and four--Citizen Brown and Double Visions, will drop in March and April, and the finale Outatime doesn't have a release date just yet. It's only available for download on PC/Mac, iPad, and PSN--sorry XBox fans!

I swear that today is the last you'll hear about Wilson's tiny ear canals, because I think we found a solution. I reviewed the Monster Jamz headphones for CNET last month and ran into similar fit issues, so the company sent me its SuperTips Sample Pack of gel and foam tips that comes with a variety of alternate shapes and sizes. With Steve Guttenberg's help, we'll finally solve this mystery!

Just after the break, Steve tells us about a professor at Princeton University who converts stereo into 3D sound! Edgar Choueiri is the director of the Engineering Physics Program and a rocket scientist, but he also happens to be an audiophiliac and set up a special 3D sound room using two closely spaced speakers and his revolutionary 3D Pure Stereo system. Check out the Audiophiliac blog for more details.

One last thing before we take off: Gknee is one of the valiant chatroom moderators for CNET TV and keeps the #CNETFans channel SFW (with the help of DAKlives).

She's celebrating a birthday on Monday, so happy birthday in advance Gknee, and a personal thanks from Jeff, Wilson, and me to all the CNETTV moderators who volunteer their work for the love of the game--we couldn't do it without you guys!

Most of the high-end gear I talk about in this blog is designed to sound great and last a long time. Granted, it's more expensive than mass-market audio, but quality gear is more expensive to build, market, and sell. Mass-market audio is not so different than cell phones, computers, or digital cameras; they're all designed to be disposable. So would you consider paying $100 or more for headphones that could last 10 or more years? Or would you rather buy 10 cheap headphones in that time? For that kind of money you could have bought one really nice … Read more

Etymotic invented the in-ear earphone in 1984 for use in diagnostic testing and auditory research. The first consumer model, the ER-4, debuted in 1991. I remember that when I heard it the resolution of fine detail was far ahead of any dynamic headphone I'd heard at that time. The ER-4 earphones are still in the line. I still use my ER-4P and love it.

The MC5 is a new model, and priced at $79, it is the most affordable in-ear design ever offered by Etymotic. The company claims its headphones produce superior isolation from external noise, and I agree. The MC5 did a better-than-average job blocking out the sounds of the NYC subway. Etymotic headphones tend to sound more accurate (or less hyped) than most under-$100 in-ear headphones. I didn't have any budget in-ears on hand to compare them against, but the MC5's sound was more naturally balanced than Monster's standard Turbine in-ear ($150). That was especially obvious with acoustic music like the Avett Brothers "Emotionalism" album. The brothers' soaring harmonies and chiming guitars really shined over the MC5; the Turbine sounded more immediate and brighter, but lacked the MC5's warmth.

Gil Scott-Heron's "I'm New Here" album's sound mix, with its buzzy keyboards and rumbling basslines sounded fabulous over the MC5, though the Turbines had deeper bass that made more of an impact, but its more upfront balance added an edge that detracted from the music. They are very different-sounding headphones, and, as always, selecting a winner is very much a matter of personal taste. Etymotic's MC3 ($99) headset model offers the same sound as the MC5, but adds a microphone and volume controls for iPods. … Read more

Move over "American Idol," the Audiophillie Music Awards for Excellence in Recorded Sound contest winners are way more talented. They don't just sing--they play instruments, write, and record their own tunes.

Zachary LeFeber's band Magnet South entered "Move On," and I'm glad they did. Zach's the drummer and a very talented audio engineer. A nice fella by the name of Matthew Winner handled vocals and guitar. Magnet South has a blog, where you can see how the music takes shape. The band has been together for two and a half years, but they have real jobs so they haven't played around all that much. Zach recorded "Move On" in his house, using a Sonar digital workstation. He considers himself something of an audiophile, so I wasn't surprised to hear he's getting into vinyl.

Alan Carter wasn't planning on entering the contest, but he had just bought a new Woodpecker ribbon microphone and wanted to record something to try it out. He used the new mic to record everything but the lead vocal and guitar on "Georgia," which was written and sung by Phil Palma. Alan's studio partner Jake played electric guitar; Phil was on acoustic guitar; and Alan played bass.

Alan works for Sweetwater Sound and sells equipment to recording studios,--no wonder "Georgia" sounds so fine. The song was recorded to half-inch analog tape, and, obviously, I didn't know that when I first picked it as a winner. Alan feels that even the best digital recordings never sound as sweet as analog. That's not to say he avoids digital completely--"Georgia" was digitally mixed in Pro Tools, before bouncing it back to analog tape. He concedes there's a lot that you can't do in analog, so he takes a hybrid approach.… Read more

OK, maybe the name of the contest, "The Audiophillie Music Awards for Excellence in Recorded Sound" is a little intimidating. If that's what's holding you back, rest easy; record some tunes from an unsigned band, or your uncle playing Grateful Dead tunes on a banjo and you could win. A recording of a tuba playing "Smells Like Teen Spirit" might be a contender.

Lo-fi entries are welcome, so if you sing or play any instrument, you have a shot at winning a set of either Monster Turbine Pro Gold ($299) or Pro Copper ($399) … Read more

There have always been good- and bad-sounding recordings, and advances in technology haven't really tilted the balance all that much, but they've changed the playing field. Musicians and bands no longer have to go into a high-priced studio to make a decent recording. If you fancy yourself as any kind of recording engineer here's your chance to strut your stuff.

The Audiophillie Music Awards For Excellence In Recorded Sound contest is hosted by The Audiophiliac and my friends Jeff Bakalar, Wilson Tang, and Justin Yu over at The 404 podcast. Winners will receive either a Monster Turbine Pro Gold or Pro Copper in-ear headphone, a review on this blog, and we'll play the winning songs on The 404. There will be six winners in all.

This isn't "American Idol"; we're not looking for the next Kelly Clarkson or Carrie Underwood, it's all about the recordings' sound quality.

I like natural-sounding recordings, ones that sound as realistic as possible. Voices should sound like voices, guitars like guitars, etc. You could record your tunes in your bedroom or basement; low-tech, uncompressed, unprocessed sound quality is a plus. Or make yours in a great-sounding space like a church, concert hall, or club.

I wouldn't rule out recordings made on an analog cassette deck (but the entry must be on CD). Or use a portable digital recorder like the Zoom H2. Or your laptop.

Point is, you don't need a lot of expensive gear to make a credible entry, just skill and knowledge of what good sound sounds like.

But I also love recordings that don't bear any relationship to reality. The creative use of effects and processing that take the sound to another level are just as welcome. Go nuts and push the boundaries. Make a sound I've never heard before.

Music categories range from rock, blues, folk, soul, jazz, acoustic, and world music.

The Audiophillie Awards, selected solely by the Audiophiliac, will be reviewed in the Audiophilac blog, and winners will receive (1) set of Monster Turbine Pro Gold or Pro Copper in-ear headphones. Approximate retail value is $399 for the Turbine Pro Copper, and $299 for the Turbine Pro Gold in-ear headphones. I'll review the winners here, and we'll play the winning songs on The 404.

To enter this contest you need to (PDF link) download, print, and complete the contest entry form, which you can also get it from The 404 .

Read the full contest rules to enter after the jump.… Read more

In recent years, Monster Cables started to expand its business to include a handful of headphones, the first models coming from a collaboration with hip-hop producer Dr. Dre. The company's offerings now comprise a couple of in-ear sets, including the top-of-the-line Turbine Pro In-Ear Speakers, a $299 number that features the same heavy, metal earpieces as found on the first Turbine earphones. While we wish Monster had incorporated an integrated mic and iPod controls at this price point, it's hard to overlook the Turbine Pro's high-end look and feel and top-notch sound.

Read the Monster Turbine Pro review… Read more

On Thursday night in Manhattan, Mr. Monster himself, Noel Lee, introduced a handful of journalists to his new top-on-the-line in-ear headphones, the Turbine Pro.

I'm a huge fan of Monster's original Turbine at $150. It's easily my pick for the best bang-for-the-buck in-ear. But the new Turbine Pro at $250, due out next month, is better. The Turbine remains in the line.

I was listening to a hand-built prototype Turbine Pro (the builder must have really tiny hands) and I have to say, the new baby has even greater clarity, more accurate bass, and sweeter treble. It'… Read more