jerry harvey

1964 Ears custom in-ear headphones beat their competition on price

1964 Ears makes custom-molded, in-ear headphones, just like Ultimate Ears, JH Audio, and Westone, but 1964 Ears is a relative newcomer. It has to try harder than the more established brands, so 1964 Ears offers a wider array of customizable features and service options than the others. Prices start a little lower, at $350 for the 1964-D, and $650 for the top-of-the-line model I'm reviewing here today, the 1964-V6. That's significantly less expensive than the established brands' flagships.

1964 Ears can also "remold" your old universal-fit balanced-armature headphones, like a Shure or Etymotic pair, and make … Read more

Recalibrate your expectations of how good an in-ear headphone can sound

I've been listening to Jerry Harvey's custom-molded in-ear headphones for years. The very first one, the UE10, was a game changer; in 2006 it was the best sounding in-ear headphone I'd heard. Now with his new Freqphase JH13 and JH16 in-ears, Harvey's done it again. The performance gains in clarity, detail, resolution, and stereo imaging are huge -- the adrenaline-pumping sound of the music you love over a set of Harvey's headphones can't be matched by any other in-ear 'phones.

Years before he made headphones, Harvey mixed stage monitor sound for Kiss, Van Halen, … Read more

Headphones and bass: It's all in your head

For most people bass quality and quantity loom large when judging headphone performance. Bass supplies the music's weight and power, so bass-shy headphones can sound thin and tinny.

Sure, the same argument could be made about speakers, but their bass is perceived in very different ways than headphone bass. Speaker bass is literally visceral, your whole body feels it, and you hear it filling the room you are in. Subwoofer bass is even more visceral, and there's no headphone equivalent for that.

So while a decent set of headphones can play low-bass frequencies that are in subwoofer territory, … Read more

JH Audio 16 Pro in-ear headphone, worth $1,149?

Jerry Harvey got into the headphone business by making in-ear monitors for just a few musician friends, and went on to build headphones for hundreds of bands, and now counts Mary J. Blige, Godsmack, Guns 'N' Roses, Alicia Keys, Eddie Vedder, and the Glee Live Tour as customers.

Harvey pioneered two-way (bass/treble) in-ear designs in 1995, and later the first three-way (bass, mid, treble) in-ear monitors. Harvey's multiple driver designs produce less distortion and increase dynamic range compared with conventional single-driver headphones, which include all of the standard headphones from Etymotic, Monster, Skullcandy, Sony, etc. The JH16 Pro I'm reviewing here is the world's first eight-driver, three-way in-ear headphone, and its sound is revelatory.

I reviewed the JH Audio's 13 Pro in-ear headphones last year in this blog, and the JH16 shares a lot of the same technology, but the big difference is in the bass. The JH16 has four low-frequency drivers (the JH13 uses two), two midrange, and two high-frequency drivers--for a total of eight drivers per channel. Both headphones feature "balanced armature" drivers, which are proprietary to JH Audio, and they're designed by Jerry Harvey.

The sound is addicting; once you've gotten used to hearing this kind of uber resolution, it's hard to go back to merely excellent in-ear headphones like my old Etymotic ER-4P ($300). I haven't heard any of Etymotic's latest designs, but the ER-4P now sounds small, cramped, and hopelessly outclassed by the JH16. Can't afford $1,149? JH Audio offers a range of custom in-ear models; prices start at $399 for the JH 5 Pro.

The JH16 is super efficient, so it can play louder, a lot louder than most headphones while being driven by iPhones, iPods, and Zunes' puny built-in headphone amplifiers.

Each JH16 is a unique hand-built creation, based on custom ear molds. The company's Web site has a list of recommended audiologists who make the molds (for around $100). Building a JH16 is a labor-intensive process; each headphone takes five hours to complete and test in the company's factory in Florida. … Read more

A desktop amplifier to bring out your headphones' best

Plugging your headphones into your computer or receiver's headphone jack won't produce the best possible sound. Why? The embedded headphone "amp" is probably just a good-enough chip amp. It may sound acceptable, but nothing like what you'd hear from a properly designed dedicated headphone amplifier.

Sure, if you have a set of $50 or $100 headphones, it doesn't make a lot of sense to drop $400 on a dedicated headphone amplifier.

But if you have something closer to the sort of world-class headphones I write about from time to time, you'd be foolish not to take the plunge. You've already made a substantial investment in headphones, but you're not getting all the sound quality you paid for.

Head-Direct's EF5 Desktop Tube Hybrid Amp ($399) is a two-box affair; one chassis is the power supply, the other is the amp itself. Each unit is solidly built and fairly compact: just 4.33 inches wide, 1.97 inches high, and 10.63 inches deep.

The amp uses a single (RCA 12AU7) vacuum tube. The amp takes about a minute to come to life after turning it on, and when the top panel's blue LEDs light up you know it's ready to play. Plug the headphones into the 6.3mm jack, adjust the volume, and you're good to go.

I listened to the EF5 with a lot of headphones, everything from my Grado RS-1, Sennheiser HD-580, Monster Turbines, Jerry Harvey JH13s, and Head-Direct's very own HE-5.

The Drive-By Truckers' excellent "Live From Austin TX" CD had tremendous presence and impact. Patterson Hood's straight from the heart vocals really cut through, and ditto for the raucous guitars. Sweet!… Read more