high-end headphones

I've heard most of the world's best headphones, but somehow missed the Sony MDR-R10. Only 2,000 were made. Production started in 1989, and at $2,500 a pair, it was the most expensive headphone in the world. The headphone cognoscenti scooped them all up years ago, and right now MDR-R10s rarely come up for sale. When they do, they usually go for more than $6,000!

The MDR-R10's 50mm "Bio-Cellulose Dome Diaphragms" are credited with producing the headphones' superclear treble and oh-so supple bass. The headphone also sported real lambskin-covered ear pads, and the … Read more

The Fostex TH600 full-size headphones' sound is downright addicting. They take you inside the sound of a recording like few other headphones can. Unfortunately, Fostex's U.S. distribution of its high-end headphones is very limited (it's a Japanese company), but Fostex dealer Moon Audio was kind enough to send over a sample pair of TH600 headphones ($1,299) fitted with an extra-cost Black Dragon V2 cable. Fostex also offers much less expensive models, including the $129 T50RP, but the company mostly caters to the pro sound market.

The TH600 has large 50mm drivers, matched with an unusually powerful … Read more

Some audiophiles swear that cables can make or break the sound of their hi-fis, while others poo-poo the idea and use the cheapest hardware store wires. The debates have raged for years, but the only way to really know for sure is to try a set of high-end cables in your system. When I sold hi-fis for a living, I convinced a lot of reluctant customers to buy a set of cables, with the promise I'd refund their money if they didn't hear a difference. The majority of them kept the cables; even some of the most skeptical … Read more

I've reviewed my share of portable headphone amplifiers, but ALO's new Rx-MK3B just might be the best on a number of counts. First, the amp is compact, just about the same size as an iPhone, but twice as thick. ALO invested two years of engineering and development time in the Rx-3B, and makes it in the U.S.

The Cypher Labs AlgoRhythm Solo is a portable digital-to-analog converter designed only for use with iPhones, iPads, and iPods, but it won't work with computers (it's not a USB DAC). There are precious few portable DACs that can … Read more

I've written about the Audeze LCD-2 headphones in this blog before, but now I'm going to cover the LCD-3 model, Audeze's best headphones. At first glance the two don't look all that different, but the LCD-3s sport real zebrawood earcups and have thicker and softer real lambskin leather cushions to coddle your ears. This is a fairly heavy (550-gram) set of headphones, but they're comfortable to wear for hours at a time. Details of why the LCD-2s and LCD-3s sound different aren't forthcoming from Audeze, other than the drivers, which use similar technology, are … Read more

Most headphones have tiny dynamic drivers, basically miniaturized versions of the drivers used in box speakers. The Audeze LCD-2 features a completely different technology: it uses thin-film planar magnetic drivers. I first checked out the Audeze LCD-2 headphones last year and absolutely loved them. The company redesigned the drivers to produce even better sound, made the earpads thicker, and now covers the headband in real leather. I found the sound improvements of the revised model significant enough to warrant a new review.

The styling is bulky and retro, but the quality feel of the LCD-2 is more than skin deep; … Read more

I cover a wide range of headphones on this blog, everything from the $40 Deos earbuds to the state-of-the-art Woo Audio WES headphone amplifier ($4,500) and Stax SR-007Mk2 headphones ($2,410). I've written about a lot of great headphones priced between those two extremes.

The common thread to all of the headphones I cover here is they all have excellent sound quality, but if there's one thing I know about the audio business, it's that most people don't prioritize sound quality, even when a better sounding product fits within their budget. With headphones, most buyers … Read more

I've written about better-than-iPod-sounding music players before, but this is my first portable headphone amplifier review. The Todd The Vinyl Junkie Portable Slim amplifier ($349) really works and will take the sound of an iPod, or any portable player, to the next level. The amp's sleek chassis (4.2x2.7x0.4 inches) is nearly the same size as an iPod Classic. It's built in Dallas, and the case comes from Canada.

The Slim's rechargeable lithium ion battery provides 15 hours of playback time. It recharges in about 2 hours from a USB port or a USB … Read more

I've never heard anything quite like the Audeze LCD-2 before. This headphone somehow produces extraordinary clarity, openness, and articulation, but without exaggerated detail or annoyingly overdone treble. The Audeze LCD-2 is a game changer; no wonder it's getting raves from the online high-end mavens at Head-Fi. Audeze's co-founders, Alex Rosson and Sankar Thiagasamudram, are onto something.

The headphones feel great in your hands. Build quality is robust, but the design is nowhere as sleek as Sennheiser's high-end headphones. The LCD-2's impedance is 50 ohms, and the maximum power handling is a remarkable 15 watts, which corresponds to a superloud 133 decibel output! You'd be hard pressed to blow this headphone up by playing it too loud. The LCD-2's tonal balance is noticeably warm, but I never felt it was smearing detail or lacking in resolution. It also sounds great at quiet listening levels. Sure, one of the advantages of headphones is you can play music as loud as you want, but it's still nice to have the option of listening low, without losing detail or presence.

The LCD-2's unusual technology (planar magnetic, or orthodynamic) is currently only used by one other headphone manufacturer, Hifiman, and I raved about its HE-5 headphones last year. The LCD-2's huge headphone drivers (6.17 square inches each) are many times the area of any dynamic headphone I know of. Audeze's very large drivers project sound over most of your outer ears, and that may be the reason why the LCD-2 sounds more speakerlike than other headphones. It weighs a rather hefty 19.4 ounces (550 grams), but I found it comfortable over very long listening sessions. The LCD-2 is handmade in the U.S., with real lambskin leather-covered earpads, and real Caribbean rosewood earcups.

The LCD-2's headphone cable is detachable, via very secure mini-XLR plugs, and is therefore user replaceable. I opted for a Chain Mail 8, an audiophile upgrade cable from ALO. It seemed to enhance everything about the LCD-2's sound, which was awfully good with the stock cable.

The LCD-2's big drivers make bass, oh boy, do they make bass. If you really want to hear amazing bass, you have to get "Kodo: The Heartbeat Drummers of Japan" CD. The drums' big sound is beyond the abilities of most headphones, but here, over the LCD-2, the drumbeats were clear and powerful. Not the sort of flabby, thick, or overdone bass you get from DJ headphones, no, I'm talking about pitch-accurate, highly defined bass that also digs deeper into the very low bass regions than other full-size 'phones.… Read more