autotune

Right when you launch AutoRap, you can get started by tapping your screen and speaking. The app immediately records your speech until you tap the screen again to stop it. After a few seconds of "rappification" (AutoRap's proprietary syllable-mapping technology), the app will replay your recording, autotuned, timing-adjusted, and laid over one of its generic rap beats.

Off the bat, you get two free beats to play with: Turkey Burgers and OneOneOne (I've never heard of them either). You can use these as many times and as often as you like. If you want more beats, … Read more

I'll be the first to admit I've been less than excited about the 2010 crop of motion-controlled gaming hardware from Sony and Microsoft. Particularly in the case of the Kinect, the upcoming motion-control camera peripheral for the Xbox 360, interacting with a motorized camera presents ways of physically humiliating yourself that make the Nintendo Wii seem positively tame.

An invitation to try out Dance Central, the hopeful killer app from MTV Games and Harmonix for the Kinect's November launch, didn't encourage me. The previous session was finishing, and true to my expectation, members of the press were hopping up and down to club beats, looking ridiculous and somewhat uncoordinated. I am not a dancer, nor do I dream of being one, and I was expecting this to be a painful demo.

When we dance in front of a camera, it's like an invitation to be shy. Who's really up for this type of exhibition? I know the Kinect is watching me, and I certainly don't want to see myself onscreen. I also don't want to fail out at a dance game. Games like Dance Dance Revolution are unforgiving with misses, and you know it when you don't land on the right part of the mat.

I was surprised to discover two things: in a head-to-head dance-off, I came close to unseating the PR demonstrator who clearly had physical and experiential advantages over me. And, I actually had fun and felt encouraged. How did this happen?

I equate it to Auto-Tune for dance. … Read more

I attended a fascinating panel discussion, "Behind The Glass: Audio Production in the 21st Century" at the Audio Engineering Society convention in New York City on Sunday.

The panelists were all prominent record producers and engineers: Tony Brown (Elvis Presley, Emmy Lou Harris); Jimmy Douglass (Jay-Z, the Rolling Stones); Dave Hewitt (Simon and Garfunkel, U2); Ryan Hewitt (Avett Brothers, Red Hot Chili Peppers); George Massenburg (Linda Ronstadt, Lyle Lovett); Ann Mincieli (Alicia Keys, Whitney Houston); and Russ Titelman (Stevie Winwood, Eric Clapton). These people know from where they speak!

Moderator Howard Massey led the panel through a discussion of the problems facing the record industry, with a primary focus on sound quality. Massey co-authored (with Geoff Emerick) my favorite Beatles book of all time, "Here, There and Everywhere: My Life Recording the Music of the Beatles." He also has a new book coming out, "Behind the Glass, Volume II: Top Producers Tell How They Craft the Hits" a collection of interviews with top record producers and audio engineers.

It seems like the main problem comes from record company pressure to make perfect recordings. Vocalists' off-pitch and out-of-time singing is tweaked with Auto-Tune; music-making is largely technology-based. That is, technology has replaced musical talent, and singers like Britney Spears were cited many times as to where it's all headed. Not so musically talented, her music has to be patched together in the studio. There's not a lot of there there.

Jimmy Douglass talked about the overuse of dynamic range compression, admitting that since most music is listened to over crappy computer speakers or cheap earbuds, compression is required to make it sound acceptable. Sad, but true. … Read more

Alison Rosen is back on the program today, and no, she's not really shrinking. That said, she is mystified by Craigslist missed connections, so we debate about what sort of scenario would lend itself to the use of the site's bizarre feature.

Next stop, Cougarville--better known as San Fransisco--where we investigate a disturbing new expo: The National Single Cougars Convention. Should cougars be given their own convention or should they be hunted in public, the natural way?

Finally, it seems we're just never going to get rid of Autotune. Especially now that the new T-Pain Autotune iPhone app makes robot voice manipulation so easy--as if it wasn't to begin with.

We've got all this and more on today's 404. Enjoy the weekend! (No show on Monday).

Check out Alison's blog or The Daily Alison.

After months of anticipation, singing robot T-Pain has finally unleashed his secret weapon: an iPhone application that gives users the power to make their tone deaf voice sound...just as crappy. But digitized! The iPhone application is called I Am T-Pain, and it might be the end of music as we know it.

Even though T-Pain isn't the first artist to use the Auto-Tuner, this is the easiest and cheapest way to obtain the popular vocoder software that disguises and corrects improper pitch by distorting the human voice.

The $2.99 app is a portable version of the tool that includes an instrumental collection of T-Pain's greatest hits in addition to a "Freestyle" mode to cover your own songs. You can also record yourself singing and easily upload the tracks to various social networks.

I installed the app on my iPhone and it works pretty well, but instead of "Buy you a Drank (Shawty Snappin')" I went for Cher's timeless hit "I Believe" on today's episode of The 404 Podcast. Check it out and let me know if I have a future in the recording industry.

Check out more screenshots of the I Am T-Pain iPhone app after the jump.… Read more

We love having guests on the show, but it's always good to get back to our bread and butter: making fun of silly tech news! Today we cover several stories that've slipped through the cracks, including the new "Alice in Wonderland" movie, a new autotune iPhone application in the works, a new Queen of Text Messaging, and a huge Calls from the Public.

I hadn't heard about this, but Jeff shells out some news about the upcoming "Alice in Wonderland" remake, directed by 404-favorite Tim Burton. Check out the video below to see the pictures and hear our comments, but so far we're pretty impressed with the CGI and makeup used on Helena Bonham Carter, Anne Hathaway, and Matt Lucas. Wilson, film buff extraordinaire, has a healthy dose of skepticism based on Burton's recent disasters, but we'll have to wait until March 2010 like everyone else to see how it all pans out.

We also have more news to report about Autotune. Turns out T-Pain is in the process of developing his own Autotune application for the iPhone. Expect the usual dose of hatred from Beff Jakalar, but I'm personally a huge fan of autotuning no matter how much it's overdone. How can you listen to this and not want to get up and dance?

Thanks to everyone that's been leaving us voicemails. Rest assured that although we've had a long string of guests, we'll play all of them in the coming weeks. If you want to hear yourself on the radio, give us a call at 1-866-404-CNET and tell us how much you love/hate the show. You can also e-mail us at the404{at}cnet(dot)com. Check us out on Twitter and Facebook as well!

Having spent some time in recording studios, I was aware that automatic pitch-correction software exists and is used by nearly every singer to smooth out the occasional off note. (Neko Case claims she doesn't use it, but she's the rare exception.) But I don't sing, so haven't spent a lot of time with it myself.

So I was fascinated to hear New Yorker music editor Sasha Frere-Jones, who wrote about pitch-correction this week, give an audio demonstration of Antares' AutoTune software in the magazine's Out Loud podcast. He sings a version of Kelly Clarkson's … Read more