The audio engineer's most important tool? Restraint
Last night, my audio production class took a field trip to local studio Glenn Sound for a brief introduction to miking technique: which microhpones to use for a particular sound, where and how to place them, and so on. It wasn't completely foreign to me--I've recorded in probably a dozen studios, but always on the clock and paying by the hour, and audio engineers tend to shrug off poorly-phrased technical questions in favor of showing you the end result.
One of the demonstrations showed us how different distances between microphone and source can give you different sounds. Most … Read more