PMA 2010

Sony guts HX5V 10x megazoom, results in H55

Yay. Another compact megazoom on the market. The Sony Cyber-shot DSC-HX5V impressed us at CES 2010 with its 10x zoom, wide-angle Sony G lens, backside-illuminated Exmor R CMOS sensor, built-in GPS, and 1080p movie capture with a stereo mic--all inside a compact, pocketable body. The H55 is its less capable linemate.

Basically, most of the good stuff has been taken out except for the lens and its body with 3-inch LCD. The H55 features a 14-megapixel CCD, a 720p movie mode with mono sound, optical image stabilization with Sony's Active Mode for smoother video while walking, and a version … Read more

World's thinnest, smallest certified waterproof digital still camera

Hey, look, it's a rugged ultracompact camera from Sony (in case you hadn't already read about it). The Cyber-shot DSC-TX5 is basically a refreshed version of the TX1 made to be waterproof down to 10 feet for up to an hour, survive drops of about 5 feet, and keep shooting in temps as low as 14 degrees Fahrenheit. Plus, the waterproofing makes it dustproof.

Like I said, it does all the same stuff as the TX1 including those Sweep Panorama shots (it's Intelligent now for improved stitching and detection of faces and subject motion) and 720p video, … Read more

Panasonic updates 3-chip camcorders

While it looks like Canon and Sony have bowed to market whims and pricing pressure, Panasonic has stood firm and year after year continues to release sub-$1,500 3-chip camcorders for enthusiast and budget-strapped indie videographers. Of course, you might argue that the continually improving CMOS chips used by competing Sony and Canon models obviate the need for 3-chip solutions to achieve extended tonal range. Or at least that the quality differences are so subtle that they're moot. Whatever the need or reason, though, Panasonic remains the last torchbearer for high-quality three-chip consumer camcorders. This year's offerings, the HDC-TM700 and HDC-HS700, don't deliver radical changes over last year's HDC-TM300, HDC-HS300, and HDC-HS150. But as long as the video quality and performance live up to their predecessors, you'll hear no complaints from me.

This year's models compared with last year's:… Read more

Canon revs up Rebel video

Canon traditionally avoids lower-margin market segments--nice work if you can get it--and its announcement of the new EOS Rebel T2i continues that trend. Instead of replacing its tired, old XS and XSi models to compete with younger, spryer sub-$700 models from Nikon, Sony, and Pentax in that extremely popular price segment, Canon instead chose to release an update to its more expensive T1i, in the less competitive $800-$1000 range. Included in the new T2i are some notable enhancements to the video capabilities and the updated metering scheme from the 7D, but the T2i also seems to retain the old autofocus system from the T1i and a possibly unwelcome jump to 18-megapixel resolution.

Given Canon's focus on staying ahead of the field for video implementations in dSLRs, unsurprisingly the most whizzy new feature of the T2i is support for 1080p video at 30 frames per second (as well as 24p and PAL-friendly 25p) and 720p at 60/50fps. Those video files may make the camera's SDXC card support a necessity. There's also a jack for an external microphone. Canon also claims full manual controls and on-demand autofocus during shooting (which you don't really want to do with most lenses, since they're too noisy) as well as the usual set of manual exposure controls. In addition, in VGA quality (which the company mistakenly refers to as standard definition) the T2i camera supports a form of digital zoom where it optically crops to a smaller area on the sensor in order to produce a greater telephoto effect.

For photographers, the new high-resolution display--it uses a slightly wider 3:2 aspect ratio instead of the 4:3 ration in the T1i--and the incorporation of the 7D's metering system should also be very welcome. Canon also says that it has an expanded exposure compensation range up to five stops, which sounds really nice for HDR work, although it's not clear whether it can handle more than the typical three-shot bracket. … Read more

Canon rolls out four PowerShots for spring

Canon's PowerShots are my go-to cameras for best photo quality. However, when it comes to cutting-edge features or shooting options, the company tends to lag behind much of the competition. I'm still on the fence about whether this is a bad thing, but regardless, Monday it announced four PowerShots, three of them refreshes of older models as well as the new SD3500 IS. Judging by the specs, my opinion holds true.

Overall, the updated models don't appear all that different from the prior models; just some minor improvements to features, boosts in resolution (hooray, more 14-megapixel compacts), a couple new photo effects, and Eye-Fi support. The SD3500 looks good for those who like touch-screen interfaces, but otherwise it doesn't seem to break new ground for the category.

Lastly, it looks like Canon is steering clear of optical viewfinders, so if you need an ultracompact camera with one, I suggest you pick up an SD780 IS or SD1200 IS while they're still around; the SD1400 IS and SD1300 IS will replace them, respectively.

PowerShot SX210 IS 14 megapixels 14x 28mm-equivalent wide-angle lens 3-inch LCD HD video (720p) with stereo sound HDMI output Optical image stabilization Dynamic mode reducing camera shake while recording movies New Fisheye and Miniature effects Eye-Fi support SD/SDHC memory cards Lithium ion rechargeable battery Choice of black, purple, and gold $349.99, March 2010… Read more

Ricoh 10x compact a little different than the rest

It's been a few months since we've heard anything from Ricoh. That product, the GXR, was very original compared with what the company has announced Wednesday, the CX3. However, that's not to say it's not worth checking out.

The CX3 is a compact megazoom using a 10.7x 28-300mm-equivalent lens, a 10-megapixel backside-illuminated (BSI) CMOS sensor, 720p HD movie mode, and a 3-inch 920K-dot LCD. The camera does many of the new shooting options available thanks to the BSI CMOS sensors including high-speed burst shooting at 5fps at full resolution and improved dynamic range and low-light … Read more

Hands-on preview: Olympus E-PL1

The first round of interchangeable-lens cameras offered a lot to appeal to enthusiasts, but at prices upward of $800, not quite a no-brainer for point-and-shooters in search of an upgrade. The bigger sensors in these models can generally deliver better photo quality at somewhat higher ISO sensitivities than the smaller snapshot models and they support video capture, but the alternative has been the moderately larger dSLRs with action-friendly optical viewfinders and kit prices starting at a significantly lower $600. Even the Panasonic Lumix DMC-GF1, which delivers the right set of performance and features for these folks in a compact, attractive design, comes in at an ouch-worthy $900 or so. Olympus' sleek E-P1 and E-P2 have attracted a lot of attention, but without a built-in flash they're simply not the right camera for snapshooters, especially at their relatively high prices. So Olympus is trying again to lure this lucrative audience to its Micro Four Thirds camp, this time with the more consumer-friendly designed and priced E-PL1.

At $600 for a kit with the 14-42mm (28-84mm equivalent) lens, a boxier but not unattractive aluminum body that's definitely smaller than a dSLR and this time with a pop-up flash, this latest model might just be a contender. (Unfortunately, I only had a preproduction model to play around with, so I can't address key aspects like performance and image quality.)

If you're one of the crowd attracted by the low price, though, keep in mind that even though both Olympus and Panasonic make compatible lenses for the system, because it's much newer there are still a lot fewer choices in Micro Four Thirds lenses than for dSLRs, and they tend to be more expensive than their SLR-compatible counterparts. For example, Olympus' 14-42mm lens lists for $299, while both Canon and Nikon's staple dSLR 18-55mm lenses run $199. The Micro Four Thirds lenses and bodies are more compact, though, and people are historically willing to pay more for less bulk.

While the elder E-P models mimic a traditional film design, the E-PL1 takes its design cues from digital cameras like the Canon PowerShot G series and Panasonic Lumix LX models. It will come in blue, champagne gold and silver and black, and the black and silver model still has a somewhat retro look. The plastic and aluminum body doesn't feel quite as tanklike as the E-P models, but it feels sturdy, with a relatively large, comfortable grip. Still, I found it just a tad slipperier to hold than I'd like, especially with winter-dry hands.

Some basic specs compared to its linemates:… Read more

Nikon Coolpix P100 is like P90, but really it's not

So this is the Nikon Coolpix P100. It's a complete overhaul inside and out of the flagship P90. The changes include, for starters, the zoom on the camera's f2.8-5 26-678mm-equivalent lens now goes out to 26x (just in case you were still having trouble seeing into your neighbor's house or their neighbor's house). Though you really don't want to use a zoom like that without a support, the camera does have sensor-shift image stabilization, contrary to Nikon calling it Optical VR.

While I'm on the sensor, it uses a 10-megapixel backside-illuminated (BSI) CMOS … Read more

Nikon's entry-level point-and-shoots reborn

Nikon's Coolpix L100 and L20 were very popular models last year and actually continue to be well trafficked on CNET. That has a lot to do with their price tags and far less to do with their quality. I didn't review the L20, but the L100 was a fairly weak camera. (But it had a 15x zoom for less than $250!) Nikon is now announcing their updates: the Coolpix L110 and L22.

For the same MSRP as the L100 ($279.95), Nikon increased the camera resolution to 12 megapixels and the 3-inch LCD resolution from 230K dots to … Read more